Autobiographical fiction; France -- Social life and customs -- 19th century -- Fiction; Villages -- France -- Fiction
I never took my eyes off my mother. I knew that when they were at table
I should not be permitted to stay there for the whole of dinner-time,
and that Mamma, for fear of annoying my father, would not allow me to
give her in public the series of kisses that she would have had in my
room. And so I promised myself that in the dining-room, as they began
to eat and drink and as I felt the hour approach, I would put beforehand
into this kiss, which was bound to be so brief and stealthy in
execution, everything that my own efforts could put into it: would
look out very carefully first the exact spot on her cheek where I would
imprint it, and would so prepare my thoughts that I might be able,
thanks to these mental preliminaries, to consecrate the whole of the
minute Mamma would allow me to the sensation of her cheek against my
lips, as a painter who can have his subject for short sittings only
prepares his palette, and from what he remembers and from rough notes
does in advance everything which he possibly can do in the sitter's
absence. But to-night, before the dinner-bell had sounded, my
grandfather said with unconscious cruelty: "The little man looks tired;
he'd better go up to bed. Besides, we are dining late to-night."
And my father, who was less scrupulous than my grandmother or mother in
observing the letter of a treaty, went on: "Yes, run along; to bed with
you."
I would have kissed Mamma then and there, but at that moment the
dinner-bell rang.
"No, no, leave your mother alone. You've said good night quite enough.
These exhibitions are absurd. Go on upstairs."
And so I must set forth without viaticum; must climb each step of the
staircase 'against my heart,' as the saying is, climbing in opposition
to my heart's desire, which was to return to my mother, since she had
not, by her kiss, given my heart leave to accompany me forth. That
hateful staircase, up which I always passed with such dismay, gave out
a smell of varnish which had to some extent absorbed, made definite and
fixed the special quality of sorrow that I felt each evening, and made
it perhaps even more cruel to my sensibility because, when it assumed
this olfactory guise, my intellect was powerless to resist it. When we
have gone to sleep with a maddening toothache and are conscious of it
only as a little girl whom we attempt, time after time, to pull out
of the water, or as a line of Molière which we repeat incessantly to
ourselves, it is a great relief to wake up, so that our intelligence
can disentangle the idea of toothache from any artificial semblance of
heroism or rhythmic cadence. It was the precise converse of this relief
which I felt when my anguish at having to go up to my room invaded my
consciousness in a manner infinitely more rapid, instantaneous almost,
a manner at once insidious and brutal as I breathed in--a far more
poisonous thing than any moral penetration--the peculiar smell of the
varnish upon that staircase.
Public-domain text, read in full here on John Shaqi.
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