Autobiographical fiction; France -- Social life and customs -- 19th century -- Fiction; Villages -- France -- Fiction
What a difference was there in a 'newcomer' whom Odette had asked them
to invite, although she herself had met him only a few times, and on
whom they were building great hopes--the Comte de Forcheville! (It
turned out that he was nothing more nor less than the brother-in-law of
Saniette, a discovery which filled all the 'faithful' with amazement:
the manners of the old palaeographer were so humble that they had always
supposed him to be of a class inferior, socially, to their own, and
had never expected to learn that he came of a rich and relatively
aristocratic family.) Of course, Forcheville was enormously the 'swell,'
which Swann was not or had quite ceased to be; of course, he would never
dream of placing, as Swann now placed, the Verdurin circle above any
other. But he lacked that natural refinement which prevented Swann from
associating himself with the criticisms (too obviously false to be worth
his notice) that Mme. Verdurin levelled at people whom he knew. As for
the vulgar and affected tirades in which the painter sometimes indulged,
the bag-man's pleasantries which Cottard used to hazard,--whereas
Swann, who liked both men sincerely, could easily find excuses for these
without having either the courage or the hypocrisy to applaud them,
Forcheville, on the other hand, was on an intellectual level which
permitted him to be stupified, amazed by the invective (without in the
least understanding what it all was about), and to be frankly delighted
by the wit. And the very first dinner at the Verdurins' at which
Forcheville was present threw a glaring light upon all the differences
between them, made his qualities start into prominence and precipitated
the disgrace of Swann.
Public-domain text, read in full here on John Shaqi.
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