Autobiographical fiction; France -- Social life and customs -- 19th century -- Fiction; Villages -- France -- Fiction
sparkling with the dust of centuries and shewing in its threadbare
brilliance the very cords of their lovely tapestry of glass. There
was one among them which was a tall panel composed of a hundred little
rectangular windows, of blue principally, like a great game of patience
of the kind planned to beguile King Charles VI; but, either because a
ray of sunlight had gleamed through it or because my own shifting vision
had drawn across the window, whose colours died away and were rekindled
by turns, a rare and transient fire--the next instant it had taken on
all the iridescence of a peacock's tail, then shook and wavered in a
flaming and fantastic shower, distilled and dropping from the groin of
the dark and rocky vault down the moist walls, as though it were
along the bed of some rainbow grotto of sinuous stalactites that I was
following my parents, who marched before me, their prayer-books clasped
in their hands; a moment later the little lozenge windows had put on the
deep transparence, the unbreakable hardness of sapphires clustered on
some enormous breastplate; but beyond which could be distinguished,
dearer than all such treasures, a fleeting smile from the sun, which
could be seen and felt as well here, in the blue and gentle flood in
which it washed the masonry, as on the pavement of the Square or the
straw of the market-place; and even on our first Sundays, when we came
down before Easter, it would console me for the blackness and bareness
of the earth outside by making burst into blossom, as in some springtime
in old history among the heirs of Saint Louis, this dazzling and gilded
carpet of forget-me-nots in glass.
Public-domain text, read in full here on John Shaqi.
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