Sweet Hampstead and Its AssociationsWhite, Caroline A.
History
Sweet Hampstead and Its Associations
White, Caroline A.
Hampstead (London, England) -- History
Lady Mary Wortley Montagu, in her letters to her daughter, tells her that
she well remembers Caen Wood (she spells it Kane Wood[203]) House, and
cannot wish her a more agreeable place. But in those days the house was
comparatively insignificant, and the gardens and grounds not nearly so
extensive or so well laid out as at present. Neither was it so secluded
or self-contained. The road to Highgate at this time came close up to the
principal entrance.
A wood called Turner’s Wood adjoined it, which became in 1737 the site
of the very original and favourite place of amusement, New Georgia—a
tea-drinking house, and pleasure-grounds, with waterworks, and
various ingenious contrivances laid out, invented, and executed by a
sexagenarian, who appears to have had considerable mechanical skill,
and some humour in his application of it. The cottage, on which an
inscription set forth that he, Robert Caxton, had built it with his own
hands,[204] contained several rooms, in one of which a chair sank on a
person sitting in it, while another contained a pillory, into which, when
a gentleman put his head, he could only be extricated by a lady kissing
him—a grace which the free manners of the times allowed on the part of
maids or matrons without the fear of scandal or the police-courts. We
learn from contemporary writings that this contrivance became exceedingly
popular, and the _Connoisseur_[205] informs us ‘that it made a favourite
Sunday recreation of the citizens to put their necks into the pillory at
New Georgia.’[206]
But the close neighbourhood of this popular place of resort could
scarcely have added to the charms of Ken Wood or the peace of its noble
proprietor, and accordingly, some time subsequent to 1755, ‘for a cause
that did him honour’ (the payment of his debts), Lord Bute sold Ken Wood
to the then Attorney-General, the erewhile Mr. Murray of the Chicken
House.
Turner’s Wood, with the humorous cottage, garden, ponds, labyrinths,
etc., became absorbed in the grounds of that domain.[207]
Public-domain text, read in full here on John Shaqi.
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