Sweet Hampstead and Its AssociationsWhite, Caroline A.
History
Sweet Hampstead and Its Associations
White, Caroline A.
Hampstead (London, England) -- History
No; I feel sure there was no feeling of descent in her change of
occupation, no sense of ‘painful duty’ in the teaching that helped to
mould the minds of boys like Thomas Denman, afterwards Lord Denman, Lord
Chief Justice of England, and of William Gell, subsequently Sir William
Gell, the antiquary and topographer of Greece and Pompeii, neither of
whom in after-life forgot their indebtedness to her. She had, as a
writer, known the triumph of success. Her poems, published in 1778, had
passed through four editions in the year. She had won the praise of
Charles James Fox, who particularly admired her songs; had been eulogized
by Garrick as ‘She who sang the sweetest lay’; and was regarded by
Wordsworth as the ‘first of literary women’; while Crabb Robinson, who
did not see her till she had reached old age, was enthusiastic in his
admiration of her intellect, and charmed with her appearance even then.
It is amusing, from a woman’s standpoint, to mark the generous praise and
admiration of these men, and compare it with the stinted commendation
and personality of the ‘sweet Queen’s’ ex-reader, and of Mrs. Chapone.
Some time after Miss Burney’s return to her father’s house, Mr. and Mrs.
Barbauld called upon her, whereupon she writes in her journal that the
latter is altered at this period, ‘but not for the worse to me, since
the first flight of her youth has taken with it a great portion of an
almost set smile, which had an air of determined complacency and prepared
acquiescence that seemed to result from a _sweetness that never risked
being off guard_. I remember,’ she runs on, ‘Mrs. Chapone saying to me,
“She is a very good young woman, as well as replete with talent, but why
must one always smile so? It makes my jaws ache to look at her;”’ and
then Miss Burney sums up her literary merit as ‘the authoress of the most
useful works, next to Mrs. Trimmer, that have been written for children,
though this with the world is probably her very secondary merit. Her many
pretty poems, and particularly songs, being generally esteemed. But many
more have written these as well. For children’s books she began the new
walk, which has since been so well cultivated, to the great information
as well as the utility of parents.’
She tells us that Mrs. Barbauld’s brother, Mr. Aikin, had a very fine
countenance, and describes Mr. Barbauld as ‘a very characteristic
figure, but well bred and sensible.’ Crabb Robinson is more clear in
his delineation of him, and says he had ‘a slim figure, a weazen face,
and a shrill voice. He talked a good deal, and was fond of dwelling
on controversial points of religion. He was by no means destitute of
ability.’ Amongst Mrs. Barbauld’s guests at Church Row in 1798 was Miss
Mary Galton, afterwards Mrs. Schemelpennick, one of the shining lights in
that brilliant company that met in Mrs. Montague’s drawing-rooms on the
occasions of her literary assemblies, which brought together all the wit
and talent of the town.
Public-domain text, read in full here on John Shaqi.
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