Tuning up still. There is the strange harsh, reedy, repeated, hautboy-like minor note of the wryneck--the cuckoo's mate not long arrived; the willow-wren jerks forth two notes from its piccolo; and the black bird, dropping its alarm note, begins to flute so softly and sweetly that it needs no programme to tell that the theme is love. Up rises the lark, then, after a short chorus to sing his solo, a song of silver broken into seed, a song that the sweet bird seems to carry higher and higher, scattering as it goes, for the notes to fall here, there, and everywhere, to be wafted away by winds for the silver grains to fall into human beings' ears, where they take root and stay, never to be forgotten; for, though the possessor roam the wide world round, the song of the lark once heard is never lost. Another soloist, the foreign musician from over the sea, with its mellow cuckoo note; and then comes an introduction from the orchestra, where the starlings wheeze and drum, and play castanets. There are strange effects, too, introduced by the great composer, harsh trumpet brays by the blue-barred jays, answered by gentle cooings from the doves, as if tyranny and love sang duets, and then a grand chorale rises as the thrush leaves off its stirring recitative. Again a solo, morning though it be, and you say "the thrush." But no, those notes were somewhat like those of the great contralto _merulus_; but listen, they are sweeter far, and they are soprano, for it is Philomel herself. Hark! After those long-complaining notes there is a familiar "Weep, weep, weep, chug-chug-chug-chug-chug!" The very orchestra seems hardly to breathe and not a chorister to move as this wondrous strain of richest melody goes rising, falling, thrilling the breast, till one breathes the sweet fresh balmy air in sobs, and drinks in the sweet draught of music--a drink for the gods till it is ended, and there are no dregs. Here come the harsh notes, though, from the orchestra--a short sharp jerky recitative from the magpie, followed by the angry declamation of the jay, leading up to those little fiddlers the chaffinches, with their seconds, the finches of green, and the linnets on the outer edge. There is a short running chorus here, followed by a short chorale that is even slow and solemn, and then there is a pause--twelve bars rest--Nature's _baton_ is suspended, and one seems to see the grand dame with her attendant train of nymphs, with Flora and Iris looking on. Then come once more the soft long thrilling notes of the nightingale, reciting the song with which at night the grove will ring. It is recitative of inexpressible sweetness, and it leads up to the grand chorus, the great song of praise from thousands of birds' throats, beneath which seems to sigh like the murmur of the deepest pedal-pipes of an organ the low buzz of insect life, blending, supporting, and adding grandeur to that which is already great.