Sword and Gown: A NovelLawrence, George A. (George Alfred)
General
Sword and Gown: A Novel
Lawrence, George A. (George Alfred)
Fiction
She did not flinch or start when Mr. Fullarton's words caught her ear,
but a heavy, chill faintness stole over her, till she felt all her limbs
benumbed, and every thing before her eyes grew misty and dim. The
numbness passed away almost immediately, but still the figures around
her appeared distorted and fantastically exaggerated; they seemed to be
tossing and whirling round one steadfast centre, as the dead leaves in
winter eddy round the marble head of a statue; that single centre-object
remained, throughout, distinct and unaltered in its aspect, while all
else was confused and uncertain--the face of Royston Keene. The sight of
that face--not defiant or even stern, but immutable in its cold
tranquillity--acted on Cecil as a magical restorative; it seemed as
though he were able, by some mesmeric influence, to impart to her a
portion of his own miraculous self-control. Before his reply to the
chaplain was ended, she threw back her proud head with the old imperial
gesture, as if scorning her own momentary weakness; no mist or shadow
clouded the brilliant violet eyes; she might speak safely now, without
risking a false note in the music. It was no light peril that she
escaped; the betrayal of emotion under such circumstances would have
weighed down a meeker spirit than The Tresilyan's with a sense of
ineffaceable shame; for remember--however marked her partiality for
Keene might have been--there had been no suspicion of an engagement
between them. Had she broken down then, she would not have forgiven
Royston to her dying day: she never _did_ forgive the chaplain. As it
was--by a strange anomaly--at the very moment when she became aware of
having been deluded and misled, in intention if not by actually spoken
words--when she had most reason to hate or despise the "enemy who had
done her this dishonor"--she felt his hold upon her heart strengthened,
as though he had justified his right to command it. Not to women alone,
but to all beautiful, wild creatures, the ancient aphorism applies: the
harder they are to discipline, the better they love their tamer. Cecil
thought, "there is not another man alive whose eyes could meet mine so
daringly:" and the haughty spirit bowed itself, and did obeisance to its
suzerain. Different in many respects as good can be from evil--in one,
those two were as fairly matched as Thiodolf and Isolde. Who can tell
what wealth of happiness might have been stored up for both, if they had
only not met--too late?
Public-domain text, read in full here on John Shaqi.
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