Then from under his cloak he took the thing
Which I had wondered to see him bring
Guarded so carefully from sight.
As he laid it down it flashed in the light,
A Toledo blade, with basket hilt,
Damascened with arabesques of gilt,
Or rather gold, and tempered so
It could cut a floating thread at a blow.
The old man smiled, "It has no sheath,
'Twas a little careless to have it beneath
My cloak, for a jostle to my arm
Would have resulted in serious harm.
But it was so fine, I could not wait,
So I brought it with me despite its state."
"An amateur of arms," I thought,
"Bringing home a prize which he has bought."
"You care for this sort of thing, Dear Sir?"
"Not in the way which you infer.
I need them in business, that is all."
And he pointed his finger at the wall.
Then I saw what I had not noticed before.
The walls were hung with at least five score
Of swords and daggers of every size
Which nations of militant men could devise.
Poisoned spears from tropic seas,
That natives, under banana trees,
Smear with the juice of some deadly snake.
Blood-dipped arrows, which savages make
And tip with feathers, orange and green,
A quivering death, in harlequin sheen.
High up, a fan of glancing steel
Was formed of claymores in a wheel.
Jewelled swords worn at kings' levees
Were suspended next midshipmen's dirks, and these
Elbowed stilettos come from Spain,
Chased with some splendid Hidalgo's name.
There were Samurai swords from old Japan,
And scimitars from Hindoostan,
While the blade of a Turkish yataghan
Made a waving streak of vitreous white
Upon the wall, in the firelight.
Foils with buttons broken or lost
Lay heaped on a chair, among them tossed
The boarding-pike of a privateer.
Against the chimney leaned a queer
Two-handed weapon, with edges dull
As though from hacking on a skull.
The rusted blood corroded it still.
My host took up a paper spill
From a heap which lay in an earthen bowl,
And lighted it at a burning coal.
At either end of the table, tall
Wax candles were placed, each in a small,
And slim, and burnished candlestick
Of pewter. The old man lit each wick,
And the room leapt more obviously
Upon my mind, and I could see
What the flickering fire had hid from me.
Above the chimney's yawning throat,
Shoulder high, like the dark wainscote,
Was a mantelshelf of polished oak
Blackened with the pungent smoke
Of firelit nights; a Cromwell clock
Of tarnished brass stood like a rock
In the midst of a heaving, turbulent sea
Of every sort of cutlery.
There lay knives sharpened to any use,
The keenest lancet, and the obtuse
Public-domain text, read in full here on John Shaqi.
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