American fiction -- 19th century; Dime novels; Man-woman relationships -- Fiction; Popular literature
“It was the wrong door. I must retrace my steps,” she thought; but even
as she laid her hand upon the knob she was startled by those hideous
screams again--this time they seemed to come from the hall itself, and
with a stifled exclamation Aline darted into the curtained alcove of
a bay-window and let the heavy draperies of velvet and brocade fall
heavily around her. She had scarcely done so before a hand turned the
door-knob softly, something swished through the door, it closed again
and she was conscious of an alien presence in the room. She could
hear distinctly a heavy, muffled breathing, and the rustle of drapery
trailed over the floor.
Aline’s heart seemed beating in her throat almost to suffocation.
She crouched upon the floor, her young face pale as death, her sweet
eyes wild with horror of she knew not what invisible evil that was
approaching her with swift, cat-like movements across the echoless
floor. Was it ghost or human? she asked herself, fearfully.
Crouching there, a little crumpled blue heap in the darkness, fearing
to breathe lest her presence might be betrayed by even that stifled
sound, Aline summoned courage to draw aside the lightest fold of the
curtain to form a tiny aperture through which, herself unseen, she
might see what or who had entered the darkened, dreary, deserted
parlor. Curiosity, our little heroine’s besetting sin, had not deserted
her yet, despite her fear and terror.
She gazed fearfully through the tiny crevice in the curtain, and it
was only by the exercise of a strong will power that she prevented
herself from crying out aloud.
A little dwarf-like, misshapen _something_, clothed in trailing
garments like a woman, was approaching the alcove steadily and swiftly,
as if guided by the unerring instinct of hate and murder to the
hiding-place of its prey. The crooked hideous form was clothed with
rich white satin and lace, all soiled and frayed as if from a terrible
struggle, for there were wet and gory blood drops all spattered down
the deep flounces of white lace that adorned the front breadth of the
robe.
Over a monstrous head, covered with rough matted locks of coarse black
hair was thrown a long and splendid bridal veil of costly Brussels
lace, and this, too, was soiled and tattered like the bridal robe.
There was no face visible, for a mask was worn above it--a horrible
mask of thick black crape; and Aline shuddered as she thought of the
distorted features it hid, for the narrow slits for the eyes were not
cut in a level line below the brows, but by some dreadful freak of
nature the eyes of the creature were placed one below the brow, the
other far down upon the cheek, and in this distorted form they glared
through the holes of the mask like the yellow orbs of a tigress filled
with the spirit of destruction.
But these monstrous, baleful eyes were not all that struck terror to
Aline’s heart as she knelt there, shuddering in the semi-darkness of
the death-trap into which she had blindly rushed.
Public-domain text, read in full here on John Shaqi.
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