American fiction -- 19th century; Dime novels; Man-woman relationships -- Fiction; Popular literature
“But once, indeed, was my heart elated,
And pleased with a dream of its own--
A beautiful dream it was, but fated
Soon to be overthrown.
“Death, like a shadow, fell and darkened
The light that had shone so clear--
How oft since then have I vainly hearkened,
And prayed for his coming near.
“But he cometh not, and I vainly wonder,
How will the long years pass,
Till I shall find rest in silence, under
The trees and waving grass.”
He paused and Aline, impressed against her will, but determined not to
show it, cried out, almost peevishly:
“Why did you read such a doleful thing? I do not like sad poetry.”
“That is the fault of your youth again,” he quietly answered. “Now I,
on the contrary, rather admire the pathetic style. The time may come,
perhaps, when that very poem will please your fancy. Nay, you may even
subscribe to the sad sentiment it embodies.”
“I should never do that if I lived to be as old as Methuselah!” cried
Aline, with the rash confidence of youth, and Oran Delaney smiled--that
slow, pensive smile whose latent sarcasm she already began to
understand with the swift intuition of woman.
“Why do you despise youth, Mr. Delaney?” she cried out, hotly.
“I do not despise it, I only pity it,” he answered.
“I can fancy age deserving pity, but not youth,” she answered,
resentfully. “Why do you pity it?”
“For its illusions,” he answered, and this time the sarcasm had faded
from his voice and face. Both were genuinely sad.
“Its illusions--what are they?” queried the girl, and again he smiled,
sadly.
“Do not ask me. They will come home to you soon enough, as they have
done to me. Youth is the happiest period of life. I pity it because
it comes to an end. I do not despise it, and I fully subscribe to the
poet’s plaint:
“‘The loss of youth is sadness
To all who think or feel--
A wound no after-gladness
Can ever wholly heal.’”
Aline lay very still for a moment, gazing silently at him with a
feeling of vexation that she had permitted herself to listen to him
with interest and even with an unconscious latent sympathy. She was
about to make some careless answer to show her utter indifference, and
to provoke him again, when she suddenly observed that he had turned
deathly pale, and that a stream of blood was pouring from inside his
coat sleeve down upon his hand.
“You are wounded, too!” she cried out in dismay, and feeling a deathly
faintness stealing over her at sight of the trickling blood.
“It is nothing--a mere flesh wound--a scratch,” he muttered, tearing
off his coat, hastily, and then Aline saw that his shirt-sleeve had
been torn open and his arm bandaged above the elbow, but the linen
had become loosened in some way, and the gaping wound was bleeding
profusely.
Public-domain text, read in full here on John Shaqi.
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