Sylvia & Michael: The later adventures of Sylvia ScarlettMacKenzie, Compton
General
Sylvia & Michael: The later adventures of Sylvia Scarlett
MacKenzie, Compton
Fiction
"So there again, if I could see Gontran when he was alive before I'd
ever met him, you don't suppose I'm not going to believe that I've seen
him any number of times since he was dead? Until quite recently when he
reached this new plane, we talked together as comfortably as when he was
still alive and sitting in that chair."
Sylvia looked at the chair uneasily.
"It's only since he's met this Dick that the communications are so
unsatisfactory. Why, of course I know what's happened," cried Mère
Gontran, in a rapture of discovery. "Why didn't I think of it sooner?
It's the war!"
"The war?" Sylvia echoed.
"Aren't there thousands of spirits being set free every day? Just as all
the communications on earth have broken down, in the same way they must
have broken down with the spirits. Fancy my not having understood that
before! Well, aren't I dense?"
Five raps of surpassing loudness signaled upon the air.
"Gontran's delighted," she exclaimed. "He was always delighted when I
found out something for myself."
Soon after this Mère Gontran, having gathered up from the crowded table
a variety of implements that could not possibly serve any purpose that
night, wandered out into the garden, followed by Samuel and the five
cats; Sylvia thought of her haunted passage through the dark autumnal
growth of leaves toward that strange room she occupied, and went
up-stairs to bed rather tremulously. Yet on the whole she was glad that
Mère Gontran left her like this every night at the _pension_ with the
Tartar servant in her cupboard under the stairs, and with the three
ungainly sons, who used to sleep in a barrack at the end of the long
passage on the ground floor. Sylvia had peeped into this room when the
young men were out and had been surprised by its want of resemblance to
a sleeping-chamber. There were, to be sure, three beds, but they had the
appearance of beds that had been long stowed away in a remote part of a
warehouse for disused furniture: the whole room was like that, with
nothing human appertaining to it save the smell of stale tobacco-smoke.
Yet, really, now that the migratory guests had gone on their way, it
would have been even more surprising to find in the _pension_ signs of
humanity, so much had its permanent inhabitants, both animals and human
beings, approximated to one another. The animals were a little more like
human beings; the human beings were a little more like animals: the
margin between men and animals was narrow enough in the most
distinguishing circumstances, and at the _pension_ these circumstances
were lacking.
Public-domain text, read in full here on John Shaqi.
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