“And there's words on this one, too,” said Bruno.
“Sylvie--will--love--all.”
“Now you see the difference,” said the old man: “different colours and
different words.”
“Choose one of them, darling. I'll give you which ever you like best.”
{Image...The crimson locket}
Sylvie whispered the words, several times over, with a thoughtful smile,
and then made her decision. “It's very nice to be loved,” she said: “but
it's nicer to love other people! May I have the red one, Father?”
The old man said nothing: but I could see his eyes fill with tears, as
he bent his head and pressed his lips to her forehead in a long loving
kiss. Then he undid the chain, and showed her how to fasten it round her
neck, and to hide it away under the edge of her frock. “It's for you
to keep you know he said in a low voice, not for other people to see.
You'll remember how to use it?”
“Yes, I'll remember,” said Sylvie.
“And now darlings it's time for you to go back or they'll be missing you
and then that poor Gardener will get into trouble!”
Once more a feeling of wonder rose in my mind as to how in the world we
were to get back again--since I took it for granted that wherever the
children went I was to go--but no shadow of doubt seemed to cross
their minds as they hugged and kissed him murmuring over and over again
“Good-bye darling Father!” And then suddenly and swiftly the darkness
of midnight seemed to close in upon us and through the darkness harshly
rang a strange wild song:--
He thought he saw a Buffalo
Upon the chimney-piece:
He looked again, and found it was
His Sister's Husband's Niece.
'Unless you leave this house,' he said,
'I'll send for the Police!'
{Image...'He thought he saw a buffalo'}
“That was me!” he added, looking out at us, through the half-opened
door, as we stood waiting in the road.' “And that's what I'd have
done--as sure as potatoes aren't radishes--if she hadn't have tooken
herself off! But I always loves my pay-rints like anything.”
“Who are oor pay-rints?” said Bruno.
“Them as pay rint for me, a course!” the Gardener replied. “You can come
in now, if you like.”
He flung the door open as he spoke, and we got out, a little dazzled
and stupefied (at least I felt so) at the sudden transition from
the half-darkness of the railway-carriage to the brilliantly-lighted
platform of Elveston Station.
A footman, in a handsome livery, came forwards and respectfully touched
his hat. “The carriage is here, my Lady,” he said, taking from her
the wraps and small articles she was carrying: and Lady Muriel, after
shaking hands and bidding me “Good-night!” with a pleasant smile,
followed him.
Public-domain text, read in full here on John Shaqi.
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