As we entered the breakfast-saloon, the Professor was saying “--and he
had breakfast by himself, early: so he begged you wouldn't wait for him,
my Lady. This way, my Lady,” he added, “this way!” And then, with (as it
seemed to me) most superfluous politeness, he flung open the door of my
compartment, and ushered in “--a young and lovely lady!” I muttered to
myself with some bitterness. “And this is, of course, the opening
scene of Vol. I. She is the Heroine. And I am one of those subordinate
characters that only turn up when needed for the development of her
destiny, and whose final appearance is outside the church, waiting to
greet the Happy Pair!”
“Yes, my Lady, change at Fayfield,” were the next words I heard (oh that
too obsequious Guard!), “next station but one.” And the door closed, and
the lady settled down into her corner, and the monotonous throb of the
engine (making one feel as if the train were some gigantic monster,
whose very circulation we could feel) proclaimed that we were once more
speeding on our way. “The lady had a perfectly formed nose,” I caught
myself saying to myself, “hazel eyes, and lips--” and here it occurred
to me that to see, for myself, what “the lady” was really like, would be
more satisfactory than much speculation.
I looked round cautiously, and--was entirely disappointed of my hope.
The veil, which shrouded her whole face, was too thick for me to see
more than the glitter of bright eyes and the hazy outline of what might
be a lovely oval face, but might also, unfortunately, be an equally
unlovely one. I closed my eyes again, saying to myself “--couldn't have
a better chance for an experiment in Telepathy! I'll think out her face,
and afterwards test the portrait with the original.”
At first, no result at all crowned my efforts, though I 'divided my
swift mind,' now hither, now thither, in a way that I felt sure would
have made AEneas green with envy: but the dimly-seen oval remained as
provokingly blank as ever--a mere Ellipse, as if in some mathematical
diagram, without even the Foci that might be made to do duty as a nose
and a mouth. Gradually, however, the conviction came upon me that I
could, by a certain concentration of thought, think the veil away, and
so get a glimpse of the mysterious face--as to which the two questions,
“is she pretty?” and “is she plain?”, still hung suspended, in my mind,
in beautiful equipoise.
Success was partial--and fitful--still there was a result: ever and
anon, the veil seemed to vanish, in a sudden flash of light: but,
before I could fully realise the face, all was dark again. In each such
glimpse, the face seemed to grow more childish and more innocent:
and, when I had at last thought the veil entirely away, it was,
unmistakeably, the sweet face of little Sylvie!
“So, either I've been dreaming about Sylvie,” I said to myself, “and
this is the reality. Or else I've really been with Sylvie, and this is a
dream! Is Life itself a dream, I wonder?”
Public-domain text, read in full here on John Shaqi.
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