Classical literature; Love -- Early works to 1800; Philosophy, Ancient; Socrates, 470 BC-399 BC
Socrates asks: Who are his father and mother? To this Diotima replies
that he is the son of Plenty and Poverty, and partakes of the nature of
both, and is full and starved by turns. Like his mother he is poor and
squalid, lying on mats at doors (compare the speech of Pausanias);
like his father he is bold and strong, and full of arts and resources.
Further, he is in a mean between ignorance and knowledge:--in this he
resembles the philosopher who is also in a mean between the wise and the
ignorant. Such is the nature of Love, who is not to be confused with the
beloved.
But Love desires the beautiful; and then arises the question, What does
he desire of the beautiful? He desires, of course, the possession of
the beautiful;--but what is given by that? For the beautiful let us
substitute the good, and we have no difficulty in seeing the possession
of the good to be happiness, and Love to be the desire of happiness,
although the meaning of the word has been too often confined to one
kind of love. And Love desires not only the good, but the everlasting
possession of the good. Why then is there all this flutter and
excitement about love? Because all men and women at a certain age are
desirous of bringing to the birth. And love is not of beauty only, but
of birth in beauty; this is the principle of immortality in a mortal
creature. When beauty approaches, then the conceiving power is benign
and diffuse; when foulness, she is averted and morose.
But why again does this extend not only to men but also to animals?
Because they too have an instinct of immortality. Even in the same
individual there is a perpetual succession as well of the parts of the
material body as of the thoughts and desires of the mind; nay, even
knowledge comes and goes. There is no sameness of existence, but the new
mortality is always taking the place of the old. This is the reason why
parents love their children--for the sake of immortality; and this is
why men love the immortality of fame. For the creative soul creates not
children, but conceptions of wisdom and virtue, such as poets and other
creators have invented. And the noblest creations of all are those of
legislators, in honour of whom temples have been raised. Who would not
sooner have these children of the mind than the ordinary human ones?
(Compare Bacon's Essays, 8:--'Certainly the best works and of greatest
merit for the public have proceeded from the unmarried or childless men;
which both in affection and means have married and endowed the public.')
Public-domain text, read in full here on John Shaqi.
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