The Sunday office. The interior-design job she had on her mind was behind schedule and she was feeling a lot of pressure. It was for a Norwegian couple in their mid-thirties. He was a software programmer working in New York's restructured Silicon Alley, and she was teaching at the Fashion Institute of Technology. Together they pulled down over 250 thou a year and they'd decided to stop throwing away money on obscene New York rents. They bought an entire floor, actually three small apartments, of what was formerly a tenement in the West Fifties, an area once known as Hell's Kitchen but now much gentrified and renamed Clinton. They had dreams of an open-space loft of the kind made famous in SoHo when artists took over abandoned factory buildings and gutted the space, taking out all the walls. Because they had combined three apartments, they had to file their plans with the NYC Department of Buildings and modify the building's Certificate of Occupancy to reflect the change in the number of dwelling units. So far so good, but then a woman who was the local member of the District Council got wind of the project and sent someone from her office to look over the place. The next day, the Department of Buildings' approval of their plans was abruptly withdrawn. It turned out that there was an obscure law on the books concerning Clinton, one that even the Department of Buildings was only vaguely aware of. It said that in order to preserve the "family character" of the neighborhood, no renovation could alter the number of rooms in a residential building. Not the number of apartments, mind you, just the number of rooms. That was when they showed up at CitiSpace in despair. They wanted Ally to help them by doing some kind of design that would satisfy the law and also give them the open, airy feeling they had set their hopes on. On the face of it, their two goals seemed mutually contradictory and impossible. He was short and shy and she was plump and sassy and Ally liked them both a lot. Sometimes in this business she sensed she was helping people realize their dreams and that was a very rewarding feeling. Real estate was an emotional thing. Your home was a part of you. She always tried to get to know people before she did any designs for them. Sometimes design was more psychology than anything else. But this time she had to solve a problem before she could wax creative. If their plan for open space could be stopped by some obscure local provision that even the Department of Buildings was fuzzy about, then maybe there was some other obscure law in the Housing Code that could be used to fight back. The full code had recently been put on the NYC Web site, so she wanted to go over every page and see what she could come up with. And she wanted to do it in the office, undisturbed with all the architectural plans close to hand.