System of Economical Contradictions; Or, The Philosophy of MiseryProudhon, P.-J. (Pierre-Joseph)
Philosophy
System of Economical Contradictions; Or, The Philosophy of Misery
Proudhon, P.-J. (Pierre-Joseph)
Economics
In all the branches of metal-working, who are the least
industrious of the wage-laborers? Precisely those who are called
MACHINISTS. Since tools have been so admirably perfected, a
machinist is simply a man who knows how to handle a file or
a plane: as for mechanics, that is the business of engineers and
foremen. A country blacksmith often unites in his own person, by
the very necessity of his position, the various talents of the
locksmith, the edge-tool maker, the gunsmith, the machinist, the
wheel-wright, and the horse-doctor: the world of thought would be
astonished at the knowledge that is under the hammer of this man,
whom the people, always inclined to jest, nickname brule-fer. A
workingman of Creuzot, who for ten years has seen the grandest
and finest that his profession can offer, on leaving his shop,
finds himself unable to render the slightest service or to earn
his living. The incapacity of the subject is directly
proportional to the perfection of the art; and this is as true of
all the trades as of metal-working.
The wages of machinists are maintained as yet at a high rate:
sooner or later their pay must decrease, the poor quality of the
labor being unable to maintain it.
I have just cited a mechanical art; let us now cite a liberal
industry.
Would Gutenburg and his industrious companions, Faust and
Schoffer, ever have believed that, by the division of labor,
their sublime invention would fall into the domain of
ignorance--I had almost said idiocy? There are few men so
weak-minded, so UNLETTERED, as the mass of workers who follow
the various branches of the typographic industry,-- compositors,
pressmen, type-founders, book-binders, and paper-makers. The
printer, as he existed even in the days of the Estiennes, has
become almost an abstraction. The employment of women in
type-setting has struck this noble industry to the heart, and
consummated its degradation. I have seen a female
compositor--and she was one of the best--who did not know how to
read, and was acquainted only with the forms of the letters.
The whole art has been withdrawn into the hands of foremen and
proof-readers, modest men of learning whom the impertinence of
authors and patrons still humiliates, and a few workmen who are
real artists. The press, in a word, fallen into mere mechanism,
is no longer, in its PERSONNEL, at the level of civilization:
soon there will be left of it but a few souvenirs.
I am told that the printers of Paris are endeavoring by
association to rise again from their degradation: may their
efforts not be exhausted in vain empiricism or misled into barren
utopias!
After private industries, let us look at public administration.
Public-domain text, read in full here on John Shaqi.
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