It was a strange idea that occurred to the Chambers four years ago,-- that of making a law on literary property! As if henceforth the idea was not to become more and more the all-important point, the style nothing. Thanks to God, there is an end of parliamentary eloquence as of epic poetry and mythology; the theatre rarely attracts business men and savants; and while the connoisseurs are astonished at the decline of art, the philosophic observer sees only the progress of manly reason, troubled rather than rejoiced at these dainty trifles. The interest in romance is sustained only as long as it resembles reality; history is reducing itself to anthropological exegesis; everywhere, indeed, the art of talking well appears as a subordinate auxiliary of the idea, the fact. The worship of speech, too mazy and slow for impatient minds, is neglected, and its artifices are losing daily their power of seduction. The language of the nineteenth century is made up of facts and figures, and he is the most eloquent among us who, with the fewest words, can say the most things. Whoever cannot speak this language is mercilessly relegated to the ranks of the rhetoricians; he is said to have no ideas. In a young society the progress of letters necessarily outstrips philosophical and industrial progress, and for a long time serves for the expression of both. But there comes a day when thought leaves language in the rear, and when, consequently, the continued preeminence of literature in a society becomes a sure symptom of decline. Language, in fact, is to every people the collection of its native ideas, the encyclopaedia which Providence first reveals to it; it is the field which its reason must cultivate before directly attacking Nature through observation and experience. Now, as soon as a nation, after having exhausted the knowledge contained in its vocabulary, instead of pursuing its education by a superior philosophy, wraps itself in its poetic mantle, and begins to play with its periods and its hemistichs, we may safely say that such a society is lost. Everything in it will become subtle, narrow, and false; it will not have even the advantage of maintaining in its splendor the language of which it is foolishly enamored; instead of going forward in the path of the geniuses of transition, the Tacituses, the Thucydides, the Machiavels, and the Montesquieus, it will be seen to fall, with irresistible force, from the majesty of Cicero to the subtleties of Seneca, the antitheses of St. Augustine, and the puns of St. Bernard.