England -- Social life and customs -- 20th century -- Fiction; English fiction -- 20th century; Short stories, English
The space of time mentioned by old Chelsfield elapsed, but he prevented
himself from enjoying the content of a successful prophet by commencing
rather absurdly to break up in health almost immediately after venturing
upon the tolerably safe anticipation. Amongst the changes of thirty
years was the fact that Chelsfield, as a name, had become better known;
even the folk who flew through the main streets of London on motor
omnibuses, and had to give nearly all their attention to the holding on
of hats, could not evade recognition of the hoardings; the Chelsfield
posters declined to be ignored. If you closed your eyes to these, you
were nearly sure to encounter the name in your daily paper. If you
missed it in your daily paper, it came into the letter-box, marked “Very
Important.” If you dodged it there, it confronted you on your theatre
programme at night. Leaving the theatre and endeavouring to forget the
name, you saw it at a popular corner, being written with great
deliberation in illuminated letters, as though some invisible giant had
made up his mind to grasp the rudiments of education.
Henry Chelsfield himself was not insensible to the determined appeals,
and, going home in his electric brougham, he counted them. Thus one
evening he found a dreary gap between the Cobden statue and the
Britannia, and immediately made memorandum of the circumstance in his
note-book, in order that the deplorable omission might be attended to on
the following day. All very well for the advertising agents to send him
a box for the theatre, but these people had to be kept up to the mark.
“I can be amiable enough,” he said to the clock inside the brougham, “in
private affairs, but I’m very different where money matters are
concerned.”
Chelsfield might be flattering himself, or he might be telling the truth;
anyhow he was a Londoner, with a Londoner’s weakness for orders for the
play. That was why he had left his offices early; that was why he
proposed to eat at an unusual hour; that was why, on arriving at
Hampstead, he ordered the man to bring the brougham round again at
half-past seven. He dined alone, with a portrait of a good-looking
woman, painted by Herkomer, facing him; at her side a lad, with small
eyes rather close to each other. Chelsfield lifted his glass when the
two maids had left the room and said:
“Jessie!”
He did not drink a toast to the boy.
Watherston, from a house nearer the Heath, came in as Chelsfield
pretended to smoke a cigarette—he had been thinking that one man in a
private box would present a lonely figure to the audience; the gallery
would say that he had no friends—and Watherston asked to be excused for
once from joining in a game of billiards.
“Nothing could have happened better!” cried Chelsfield, arousing himself.
“You have only to run home and jump into evening dress, and—”
“My boy wants me to take him to see the conjuring people at St. George’s
Hall.”
“You’re not spoiling that lad of yours, I hope, Watherston?”
Public-domain text, read in full here on John Shaqi.
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