England -- Social life and customs -- 20th century -- Fiction; English fiction -- 20th century; Short stories, English
You must not assume that Irene gave up a large amount of her time to
conversation. She started work at twenty to seven in the morning, and if
half-past four in the afternoon found her ready (in her own phrase) to
pop upstairs and change, she counted she had scored a victory. After tea
came duties of a more leisurely nature such as ironing, and later
still—if luck favoured—a brief opportunity for the study of literature,
from which she came in such a dazed, confused state of mind, that for the
subsequent twenty minutes she could only give answers that possessed a
conspicuous amount of incoherence. Those who have seen her with a number
of “The Belgravia Novelette” report that her lips moved silently as she
read the lines, that her features indicated, unconsciously, the emotions
affecting each character: when a lady had to reject the advances of some
unwelcome suitor (a frequent occurrence in the world of fiction where Mr.
A., liking Miss B., finds this converted into ardent love when she
announces she hates him with a hate that can never die), then Irene’s
face showed stern and uncompromising decision: when a landscape artist
proclaimed an affection he had hitherto concealed, her eyes half closed,
and her head went gently to and fro.
It is likely the pictures which accompanied these agreeable stories had
some influence, although the fact that the people always wore evening
dress prevented Irene from imitating every detail. The corkscrew curls,
brought forward at each side of the face from a definite and decided
parting, were brushed back. Irene was observed one night at about eight,
on her return from commissariat duties in connection with next morning’s
breakfast, staring earnestly at the head which, in a window, revolved
slowly, vanishing and re-appearing with a fixed, haughty smile. A youth
came up and made some remarks.
“Don’t you address conversation to any one what you haven’t been
introduced to,” she ordered, warmly.
“Carry your parcel for you?”
“Thanks,” replied Irene, “but I don’t want to lose it.”
The youth, declining to take this as a repulse, followed, and Irene’s
mistress reproved her for entering the house at the front door when the
area gate was open. The very next day a fresh and daring experiment was
made by fixing a white collar around the neck, and this was succeeded in
the evening by a pair of cuffs. She seemed pleased with the general
effect, and hastened to answer some knocks and rings at the front door
instead of compelling every caller to repeat the summons. One of these
she received with great curtness.
“No, the name don’t live here.”
“Beg pardon!” said a youth’s deep voice. “Perhaps I’ve got it wrong.”
“Quite likely. Judging from your appearance.”
“Doing any shopping to-night, miss?”
Public-domain text, read in full here on John Shaqi.
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