Take Me for a Ride: Coming of Age in a Destructive Cult — John Shaqi
Take Me for a Ride: Coming of Age in a Destructive CultLaxer, Mark E.
Religion
Take Me for a Ride: Coming of Age in a Destructive Cult
Laxer, Mark E.
Cults -- United States; Lenz, Frederick, 1950-
One problem was sex. Chinmoy, who taught that higher consciousness
lay above the sweaty world of physical pleasure, often instructed
us to avoid members of the opposite sex whenever possible.
In contrast, Atmananda told me, "I once had several girlfriends
at the same time--each named Susan."
There was the problem of ego. Chinmoy emphasized over and over
the importance of humility.
Atmananda often pointed out, to his inner circle of friends,
that in a past life he was Sir Thomas More.
There was the problem of cinema. Guru prohibited the viewing
of sexually explicit or violent movies.
Atmananda had his own view, which was to see them. As a result,
I got to see such films as Rocky Horror Picture Show, Dawn of the Dead,
and Apocalypse Now.
There was the problem of expression of individuality. In an attempt
to merge with the Beyond, many disciples decorated their often
sparse homes with Guru's paintings, posters, and photographs.
In contrast, Atmananda's plushly carpeted, colorful cottage,
gave me the sense that he rearranged the space until the lines
connecting the physical and non-physical dimensions meshed nicely.
By the front door, two ferns thrived beside an electronic synthesizer.
By a stained-glass window hung a photograph of Atmananda with
a toucan on his shoulder. "The toucan died," he once told me,
"but its soul is advanced and will soon take on a human incarnation."
Multi-colored rug segments covered the stairs to the loft, where a
larger-than-life Transcendental stared down from the slanted ceiling,
directly over his bed.
And there was the problem that Stony Brook disciples learned
the language of spirituality and of dreams less from Chinmoy than Atmananda.
Able to speak at length about anything and nothing, Atmananda often did.
For him, reality seemed to consist of an infinite number of levels
which were interconnected in obvious and in not so obvious ways.
"Words are used to describe these levels but are extremely limited,"
he explained. Nonetheless, I often found myself tripping on his
words from the world of the bizarre to the world of the sensible,
and back again. I became familiar with the diversity of his language
during his lectures and, perhaps more so, during his parties.
Public-domain text, read in full here on John Shaqi.
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