Take Me for a Ride: Coming of Age in a Destructive CultLaxer, Mark E.
Religion
Take Me for a Ride: Coming of Age in a Destructive Cult
Laxer, Mark E.
Cults -- United States; Lenz, Frederick, 1950-
"Oh, how adorable," said the flight attendants when they saw
the grown man in first class playing with the colorful puppets.
"We donate them to children's hospitals," Rama claimed.
He failed to mention that he brought the Blisses to Centre meetings,
where he infused their beaks with a "special force" and where he sold
them at a handsome profit.
I could have written the story of "Rama and the Token Underdog."
"A large part of what motivates me," Rama once confided,
"is my concern for the underdog." He displayed his concern one
desert trip by accompanying a handicapped student who was unable
to keep pace with the group. I recalled one of Rama's lessons:
"You can tell a person's level of spiritual evolution by how
they treat those around them." I felt proud of my teacher.
But shortly thereafter, Rama's attitude changed. He began
four-wheeling the desert sands while the rest of us walked.
He also banned from all desert trips those who were unable to
keep up.
I could have written the story of "Rama and the Menorah Incident."
I once placed in the window of my room a menorah, a traditional
candle holder used by Jews during the celebration of Hanukkah.
But when my housemate and mentor noticed, he looked at me askance.
"What, are you crazy?" he said. "Take it down right away!"
It was inconceivable to me that behind a mask of intellectual
and religious tolerance could lie so powerful a bent to control.
I removed the menorah from my window.
I could have written the story of "Rama and the Satanic Billboard."
In 1982 and 1983, Rama occasionally said that he'd like to place
a billboard of his face above the busy intersection of freeways 10
and 405 in Los Angeles. He seemed excited about including this message:
"666--We're Back".
And I could have written the story of "Rama and the Blade Runner Day."
"Would you like to meet Harrison Ford?" Rama asked me over
the phone in 1983. By then, many San Diego devotees had moved
to the expanding Centre in L.A., based largely on Rama's advice.
Centre meetings in Los Angeles were first held in a small room
in Hollywood, and then in a large room with a stage in Manhattan Beach.
By the time meetings were held in the ornate Beverly Theater
on Wilshire Boulevard in Beverly Hills, Rama commuted each week
from his ocean-view Malibu rental to the expanding Centre in
San Francisco.
"You mean Hans Solo?" I asked. "You bet!" I drove west,
then north, toward Zuma Beach. Twenty minutes later, I turned
down a long driveway to Rama's house, which he claimed that he
rented from Goldie Hawn. Hawn wanted to sell; Ford wanted to buy;
and Rama, Anne, and I wanted to see, in real life, a favorite image
from the magic screen.
Rama wore a colorful shirt patterned with scenes of the tropics,
similar to one worn by Allie Fox (Harrison Ford) in The Mosquito Coast.
Obsessed with creating a world of his own, Fox bares a captive
community to his innovative dreams, poisoned experiments,
and diminishing sanity.
Public-domain text, read in full here on John Shaqi.
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