In relating his experience in the pages of this magazine, Mr. Julian Hawthorne said in effect that one of the best rewards of the literary life was the friends it enabled the writer to make. When giving me his friendship, he proved how true this is. In my experience the literary class make good, genial, honest friends, while their keen, alert minds and knowledge of life in many of its most interesting aspects give an unfailing charm to their society. One can maintain the most cordial and intimate relations with editors of magazines and journals if he will recognize that such relations should have no influence whatever in the acceptance or declination of manuscripts. I am constantly receiving letters from literary aspirants who appear to think that if I will use a little influence their stories or papers would be taken and paid for. I have no such influence, nor do I wish any, in regard to my own work. The conscientious editor's first duty is to his periodical and its constituents, and he would and should be more scrupulous in accepting a manuscript from a friend than from a stranger. To show resentment because a manuscript is returned is absurd, however great may be our disappointment. Perhaps one of the most perplexing and often painful experiences of an author comes from the appeals of those who hope through him to obtain immediate recognition as writers. One is asked to read manuscripts and commend them to publishers, or at least to give an opinion in regard to them, often to revise or even to rewrite certain portions. I remember that during one month I was asked to do work on the manuscripts of strangers that would require about a year of my time. The maker of such request does not realize that he or she is but one among many, and that the poor author would have to abandon all hope of supporting his family if he tried to comply. The majority who thus appeal to one know next to nothing of the literary life or the conditions of success. They write to the author in perfect good faith, often relating circumstances which touch his sympathies; yet if you tell them the truth about their manuscript, or say you have not time to read it, adding that you have no influence with editors or publishers beyond securing a careful examination of what is written, you feel that you are often set down as a churl, and your inability to comply with their wishes is regarded as the selfishness and arrogance of success. The worried author has also his own compunctions, for while he has tried so often and vainly to secure the recognition requested, till he is in despair of such effort, he still is haunted by the fear that he may overlook some genius whom it would be a delight to guide through what seems a thorny jungle to the inexperienced.