Inheritance and succession -- Fiction; Maryland -- Fiction; Mate selection -- Fiction; Sisters-in-law -- Fiction; Women -- Fiction
Meanwhile over the flat, shell road Mammy and Linda were travelling
toward the town. Once in a while a thread of blue creek appeared in the
distance beyond fields of farmlands, or a white house glimmered out
from its setting of tall trees, the masts of a sailing vessel behind
it giving one the feeling that he was looking at a floating farm, or
that in some mysterious way a vessel had been tossed up far inland, so
intersected was the land with little creeks and inlets.
Linda knew every step of the way; to Phebe it was less familiar, and
the excitement of going up to town was an unusual one. She hugged
herself in her ample shawl and directed, criticised and advised Jake
the entire distance. Up through the shaded streets of the town they
continued until they stopped before a gate leading to an old red house
which faced the sapphire river. Here lived Miss Maria Hill.
Her cheery self came out on the porch to meet them. "Of all things,
Verlinda Talbot!" she cried. "And Phebe, too. Well, this is a surprise.
Come right in. You are going to stay to dinner and we will have a good
old-fashioned talk." She never failed to call Linda by the quaint name
which had been given to various daughters of the Talbot family for many
generations. "Go right out into the kitchen, Phebe," continued Miss Ri,
"and if you can put any energy into that lazy Randy's heels, I'll be
thankful. When are you going to make up your mind to come and live with
me, Phebe?" she asked, laughing at the never-failing joke.
But this time Phebe's answer, instead of being: "When de dead ducks eat
up all de mud, Miss Ri," was: "Whenever yuh likes to have me, Miss Ri."
Miss Maria stopped short in surprise. She looked from one to another.
"You don't mean it!" she cried.
"Yas'm, I means it; dat is, ef acco'din' to de ques', yu teks Miss
Lindy, too."
Miss Ri turned her gaze on Linda. "What does all this mean?" she
asked. "Come on in, Phebe--no, you mustn't go into the kitchen just
yet; we must thrash this out first." She led the way into a cheerful
living-room, against whose ancient walls stood solid pieces of shining
mahogany. Time-stained pictures, one or two portraits, old engravings,
a couple of silhouettes looked down at the group. "Sit right down
here, Verlinda dear. There's a chair for you, Phebe. Now let us hear
all about it." Miss Ri drew up a chair and enfolded one of Linda's
black-gloved hands in hers. "What does it all mean?"
Public-domain text, read in full here on John Shaqi.
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