And suddenly there came upon him a mad fear lest his father should have locked him in. The notion had no ground in sense; it was probably no more than a reminiscence of similar calamities in childhood, for his father’s room had always been the chamber of inquisition and the scene of punishment; but it stuck so rigorously in his mind that he must instantly approach the door and prove its untruth. As he went, he struck upon a drawer left open in the business table. It was the money-drawer, a measure of his father’s disarray: the money-drawer—perhaps a pointing providence! Who is to decide, when even divines differ between a providence and a temptation? or who, sitting calmly under his own vine, is to pass a judgment on the doings of a poor, hunted dog, slavishly afraid, slavishly rebellious, like John Nicholson on that particular Sunday? His hand was in the drawer, almost before his mind had conceived the hope; and rising to his new situation, he wrote, sitting in his father’s chair and using his father’s blotting-pad, his pitiful apology and farewell:— ‘MY DEAR FATHER,—I have taken the money, but I will pay it back as soon as I am able. You will never hear of me again. I did not mean any harm by anything, so I hope you will try and forgive me. I wish you would say good-bye to Alexander and Maria, but not if you don’t want to. I could not wait to see you, really. Please try to forgive me. Your affectionate son, JOHN NICHOLSON.’ The coins abstracted and the missive written, he could not be gone too soon from the scene of these transgressions; and remembering how his father had once returned from church, on some slight illness, in the middle of the second psalm, he durst not even make a packet of a change of clothes. Attired as he was, he slipped from the paternal doors, and found himself in the cool spring air, the thin spring sunshine, and the great Sabbath quiet of the city, which was now only pointed by the cawing of the rooks. There was not a soul in Randolph Crescent, nor a soul in Queensferry Street; in this outdoor privacy and the sense of escape, John took heart again; and with a pathetic sense of leave-taking, he even ventured up the lane and stood awhile, a strange peri at the gates of a quaint paradise, by the west end of St. George’s Church. They were singing within; and by a strange chance, the tune was ‘St. George’s, Edinburgh,’ which bears the name, and was first sung in the choir of that church. ‘Who is this King of Glory?’ went the voices from within; and, to John, this was like the end of all Christian observances, for he was now to be a wild man like Ishmael, and his life was to be cast in homeless places and with godless people.