Tales and Novels — Volume 03: BelindaEdgeworth, Maria
General
Tales and Novels — Volume 03: Belinda
Edgeworth, Maria
Courtship -- Fiction; London (England) -- Fiction; Young women -- Fiction
“Miss Portman,” continued her ladyship, “don’t talk of not having
spirits, you that are all life!--What say you, Belinda?--O yes, you must
be the comic muse; and I, it seems, must be tragedy, because Marriott
has a passion for seeing me ‘come sweeping by.’ And because Marriott
must have her own way in every thing--she rules me with a rod of iron,
my dear, so tragedy I needs must be.--_Marriott knows her power_.”
There was an air of extreme vexation in Lady Delacour’s countenance as
she pronounced these last words, in which evidently more was meant
than met the ear. Upon many occasions Miss Portman had observed, that
Marriott exercised despotic authority over her mistress; and she had
seen, with surprise, that a lady, who would not yield an iota of power
to her husband, submitted herself to every caprice of the most insolent
of waiting-women. For some time, Belinda imagined that this submission
was merely an air, as she had seen some other fine ladies proud of
appearing to be governed by a favourite maid; but she was soon convinced
that Marriott was no favourite with Lady Delacour; that her ladyship’s
was not _proud humility_, but fear. It seemed certain that a woman,
extravagantly fond of her own _will_, would never have given it up
without some very substantial reason. It seemed as if Marriott was in
possession of some secret, which should for ever remain unknown. This
idea had occurred to Miss Portman more than once, but never so forcibly
as upon the present occasion. There had always been some mystery about
her ladyship’s toilette: at certain hours doors were bolted, and it was
impossible for any body but Marriott to obtain admission. Miss Portman
at first imagined that Lady Delacour dreaded the discovery of her
cosmetic secrets, but her ladyship’s rouge was so glaring, and her pearl
powder was so obvious, that Belinda was convinced there must be some
other cause for this toilette secrecy. There was a little cabinet beyond
her bedchamber, which Lady Delacour called her boudoir, to which there
was an entrance by a back staircase; but no one ever entered there but
Marriott. One night, Lady Delacour, after dancing with great spirit at
a ball, at her own house, fainted suddenly: Miss Portman attended her
to her bedchamber, but Marriott begged that her lady might be left alone
with _her_, and she would by no means suffer Belinda to follow her into
the boudoir. All these things Belinda recollected in the space of a few
seconds, as she stood contemplating Marriott and the dresses. The hurry
of getting ready for the masquerade, however, dispelled these thoughts,
and by the time she was dressed, the idea of what Clarence Hervey would
think of her appearance was uppermost in her mind. She was anxious to
know whether he would discover her in the character of the comic muse.
Lady Delacour was discontented with her tragic attire, and she grew
still more out of humour with herself, when she saw Belinda.
Public-domain text, read in full here on John Shaqi.
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