“So come, my dear Pat, and make no delay, for joy’s not joy
compl_a_te till you’re in it--my father sends his blessing, and
Peggy her love. The family entirely is to settle for good in
Ireland, and there was in the castle yard last night a bonfire
made by my lord’s orders of the _ould_ yellow damask furniture, to
plase my lady, my lord says. And the drawing-room, the butler was
telling me, is new hung; and the chairs with velvet as white as
snow, and shaded over with natural flowers by Miss Nugent. Oh! how
I hope what I guess will come true, and I’ve _rason_ to believe it
will, for I dreamt in my bed last night it did. But keep yourself
to yourself--that Miss Nugent (who is no more Miss Nugent, they
say, but Miss Reynolds, and has a new-found grandfather, and is a
big heiress, which she did not want in my eyes, nor in my young
lord’s), I’ve a notion, will be sometime, and may be sooner
than is expected, my Lady Viscountess Colambre--so haste to the
wedding. And there’s another thing: they say the rich _ould_
grandfather’s coming over;--and another thing, Pat, you would not
be out of the fashion--and you see it’s growing the fashion not to
be an Absentee.
“Your loving brother,
“LARRY BRADY.”
1812.
MADAME DE FLEURY
CHAPTER I.
“There oft are heard the notes of infant woe,
The short thick sob, loud scream, and shriller squall.
How can you, mothers, vex your infants so?”--POPE.
“D’abord, madame, c’est impossible!--Madame ne descendra pas
ici?[12]” said François, the footman of Mad. de Fleury, with a half
expostulatory, half indignant look, as he let down the step of her
carriage at the entrance of a dirty passage, that led to one of the
most miserable-looking houses in Paris.
“But what can be the cause of the cries which I hear in this house?”
said Mad. de Fleury.
“‘Tis only some child, who is crying,” replied François: and he would
have put up the step, but his lady was not satisfied.
“‘Tis nothing in the world,” continued he, with a look of appeal to
the coachman, “it _can_ be nothing, but some children, who are locked
up there above. The mother, the workwoman my lady wants, is not at
home, that’s certain.”
“I must know the cause of these cries; I must see these children,”
said Mad. de Fleury, getting out of her carriage.
François held his arm for his lady as she got out.
“Bon!” cried he, with an air of vexation. “Si madame la veut
absolument, à la bonne heure!--Mais madame sera abimée. Madame
verra que j’ai raison. Madame ne montera jamais ce vilain escalier.
D’ailleurs c’est an cinquième. Mais, madame, c’est impossible.”[13]
Public-domain text, read in full here on John Shaqi.
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