Notwithstanding the impossibility, Mad. de Fleury proceeded; and
bidding her talkative footman wait in the entry, made her way up the
dark, dirty, broken staircase, the sound of the cries increasing every
instant, till, as she reached the fifth story, she heard the shrieks
of one in violent pain. She hastened to the door of the room from
which the cries proceeded; the door was fastened, and the noise was
so great, that though she knocked as loud as she was able, she could
not immediately make herself heard. At last the voice of a child from
within answered, “The door is locked--mamma has the key in her pocket,
and won’t be home till night; and here’s Victoire has tumbled from the
top of the big press, and it is she that is shrieking so.”
Mad. de Fleury ran down the stairs which she had ascended with so
much difficulty, called to her footman, who was waiting in the entry,
despatched him for a surgeon, and then she returned to obtain from
some people who lodged in the house assistance to force open the door
of the room in which the children were confined.
On the next floor there was a smith at work, filing so earnestly that
he did not hear the screams of the children. When his door was pushed
open, and the bright vision of Mad. de Fleury appeared to him, his
astonishment was so great that he seemed incapable of comprehending
what she said. In a strong provincial accent he repeated,
“_Plait-il?_” and stood aghast till she had explained herself three
times: then suddenly exclaiming, “Ah! c’est ça!”--he collected his
tools precipitately, and followed to obey her orders. The door of
the room was at last forced half open, for a press that had been
overturned prevented its opening entirely. The horrible smells that
issued did not overcome Mad. de Fleury’s humanity: she squeezed her
way into the room, and behind the fallen press saw three little
children: the youngest, almost an infant, ceased roaring, and ran
to a corner: the eldest, a boy of about eight years old, whose face
and clothes were covered with blood, held on his knee a girl younger
than himself, whom he was trying to pacify, but who struggled most
violently, and screamed incessantly, regardless of Mad. de Fleury, to
whose questions she made no answer.
“Where are you hurt, my dear?” repeated Mad. de Fleury in a soothing
voice. “Only tell me where you feel pain?”
The boy, showing his sister’s arm, said, in a surly tone--“It is this
that is hurt--but it was not I did it.”
“It was, it _was_,” cried the girl as loud as she could vociferate:
“it was Maurice threw me down from the top of the press.”
“No--it was you that were pushing me, Victoire, and you fell
backwards.--Have done screeching, and show your arm to the lady.”
“I can’t,” said the girl.
“She won’t,” said the boy.
“She _cannot_,” said Mad. de Fleury, kneeling down to examine it. “She
cannot move it: I am afraid that it is broken.”
“Don’t touch it! don’t touch it!” cried the girl, screaming more
violently.
Public-domain text, read in full here on John Shaqi.
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