In this my London life, I found it irksome that I could never, as at dear Cambridge, pause upon my own reflections. If I stopped awhile, “to plume contemplation’s wings, so ruffled and impaired,” some of the low realities, some of the impertinent necessities of fashionable life, would tread on my heels. The order of the day or night was for ever pressed upon me--and the order of the day was now to go to this new sentimental comedy--my mother’s favourite actor, the silver-toned Barry, was to play the lover of the piece; so she was sure of as many fashionable young ladies as her box could possibly hold. At this period, in England, every fashionable belle declared herself the partisan of some actor or actress; and every fashionable beau aspired to the character of a dramatic critic. Mowbray, of course, was distinguished in that line, and his pretty little sister, Lady Anne, was, at least in face, formed to grace the front box. The hours of the great world were earlier then than they are now, and nothing interfered, indeed nothing would have been suffered to interfere, with the hour for the play. As a veteran wit described it, “There were at this time four estates in the English Constitution, kings, lords, commons, and the theatre.” Statesmen, courtiers, poets, philosophers, crowded pell mell with the white-gloved beaux to the stage box and the pit. It was thought well-bred, it was _the thing_ to be in the boxes before the third act, even before the second, nay, incredible as it may in these times appear, before the first act began. Our fashionable party was seated some minutes before the curtain drew up. CHAPTER VII.