Tales and Stories: Now First CollectedShelley, Mary Wollstonecraft
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Tales and Stories: Now First Collected
Shelley, Mary Wollstonecraft
English fiction -- 19th century; Short stories, English
These terrible words stung Maria to fresh resolution: she entreated for
mercy; she knelt; she vowed that she would not depart without her
sister; she appealed to Heaven and the saints. The officer, though
cold-hearted, was good-natured and courteous, and he assured her with
the utmost gentleness that her supplications were of no avail; that were
the criminal his own daughter he must enforce his orders. As a sole
concession, he permitted her to see her sister. Despair inspired the nun
with energy; she almost ran up the hill, out-speeding her guide: they
crossed a folding of the hills to a little sheep-cot, where sentinels
paraded before the door. There was no glass to the windows, so the
shutters were shut; and when Maria first went in from the bright
daylight she hardly saw the slight figure of her sister leaning against
the wall, her dark hair fallen below her waist, her head sunk on her
bosom, over which her arms were folded. She started wildly as the door
opened, saw her sister, and sprang with a piercing shriek into her arms.
They were left alone together: Anina uttered a thousand frantic
exclamations, beseeching her sister to save her, and shuddering at the
near approach of her fate. Maria had felt herself, since their mother’s
death, the natural protectress and support of her sister, and she never
deemed herself so called on to fulfil this character as now that the
trembling girl clasped her neck,—her tears falling on her cheeks, and
her choked voice entreating her to save her. The thought—O could I
suffer instead of you! was in her heart, and she was about to express
it, when it suggested another idea, on which she was resolved to act.
First she soothed Anina by her promises, then glanced round the cot;
they were quite alone: she went to the window, and through a crevice saw
the soldiers conversing at some distance. “Yes, dearest sister,” she
cried, “I will—I can save you—quick—we must change dresses—there is no
time to be lost I—you must escape in my habit.”
“And you remain to die?”
“They dare not murder the innocent, a nun! Fear not for me—I am safe.”
Anina easily yielded to her sister, but her fingers trembled; every
string she touched she entangled. Maria was perfectly self-possessed,
pale, but calm. She tied up her sister’s long hair, and adjusted her
veil over it so as to conceal it; she unlaced her bodice, and arranged
the folds of her own habit on her with the greatest care—then more
hastily she assumed the dress of her sister, putting on, after a lapse
of many years, her native contadina costume. Anina stood by, weeping and
helpless, hardly hearing her sister’s injunctions to return speedily to
their father, and under his guidance to seek sanctuary. The guard now
opened the door. Anina clung to her sister in terror, while she, in
soothing tones, entreated her to calm herself.
The soldier said they must delay no longer, for the priest had arrived
to confess the prisoner.
Public-domain text, read in full here on John Shaqi.
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