Tales and Stories: Now First CollectedShelley, Mary Wollstonecraft
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Tales and Stories: Now First Collected
Shelley, Mary Wollstonecraft
English fiction -- 19th century; Short stories, English
Lorenzo bowed his head; something choked his utterance as he thought
that he was about to part for ever from Flora; but he disdained to
betray this weakness before his enemies. He took his sister’s hand and
gazed upon her slight form with a look of earnest fondness, then
murmuring a blessing over her, and kissing her brow, he again saluted
Count Fabian, and turning away with measured steps and lofty mien, left
the hall. Flora, scarcely understanding what had passed, stood trembling
and weeping under her veil. She yielded her passive hand to Fabian, who,
leading her to his mother, said: “Madam, I ask of your goodness, and the
maternal indulgence you have ever shown, to assist me in fulfilling my
promise, by taking under your gracious charge this young orphan.”
“You command here, my son,” said the countess, “and your will shall be
obeyed.” Then making a sign to one of her attendants, Flora was
conducted from the hall, to where, in solitude and silence, she wept
over her brother’s departure, and her own strange position.
Flora thus became an inmate of the dwelling of her ancestral foes, and
the ward of the most bitter enemy of her house. Lorenzo was gone she
knew not whither, and her only pleasure consisted in reflecting that she
was obeying his behests. Her life was uniform and tranquil. Her
occupation was working tapestry, in which she displayed taste and skill.
Sometimes she had the more mortifying task imposed on her of waiting on
the Countess de’ Tolomei, who having lost two brothers in the last
contest with the Mancini, nourished a deep hatred towards the whole
race, and never smiled on the luckless orphan. Flora submitted to every
command imposed upon her. She was buoyed up by the reflection that her
sufferings wore imposed on her by Lorenzo; schooling herself in any
moment of impatience by the idea that thus she shared his adversity. No
murmur escaped her, though the pride and independence of her nature were
often cruelly offended by the taunts and supercilious airs of her
patroness or mistress, who was not a bad woman, but who thought it
virtue to ill-treat a Mancini. Often, indeed, she neither heard nor
heeded these things. Her thoughts were far away, and grief for the loss
of her brother’s society weighed too heavily on her to allow her to
spend more than a passing sigh on her personal injuries.
Public-domain text, read in full here on John Shaqi.
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