Tales and Stories: Now First CollectedShelley, Mary Wollstonecraft
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Tales and Stories: Now First Collected
Shelley, Mary Wollstonecraft
English fiction -- 19th century; Short stories, English
The countess was unkind and disdainful, but it was not thus with Flora’s
companions. They were amiable and affectionate girls, either of the
bourgeois class, or daughters of dependants of the house of Tolomei. The
length of time which had elapsed since the overthrow of the Mancini, had
erased from their young minds the bitter duty of hatred, and it was
impossible for them to live on terms of daily intercourse with the
orphan daughter of this ill-fated race, and not to become strongly
attached to her. She was wholly devoid of selfishness, and content to
perform her daily tasks in inoffensive silence. She had no envy, no wish
to shine, no desire of pleasure. She was nevertheless ever ready to
sympathize with her companions, and glad to have it in her power to
administer to their happiness. To help them in the manufacture of some
piece of finery; to assist them in their work; and, perfectly prudent
and reserved herself, to listen to all their sentimental adventures; to
give her best advice, and to aid them in any difficulty, were the simple
means she used to win their unsophisticated hearts. They called her an
angel; they looked up to her as to a saint, and in their hearts
respected her more than the countess herself.
One only subject ever disturbed Flora’s serene melancholy. The praise
she perpetually heard lavished on Count Fabian, her brother’s too
successful rival and oppressor, was an unendurable addition to her other
griefs. Content with her own obscurity, her ambition, her pride, her
aspiring thoughts were spent upon her brother. She hated Count Fabian as
Lorenzo’s destroyer, and the cause of his unhappy exile. His
accomplishments she despised as painted vanities; his person she
contemned as the opposite of his prototype. His blue eyes, clear and
open as day; his fair complexion and light brown hair; his slight
elegant person; his voice, whose tones in song won each listener’s heart
to tenderness and love; his wit, his perpetual flow of spirits, and
unalterable good-humour, were impertinences and frivolities to her who
cherished with such dear worship the recollection of her serious,
ardent, noble-hearted brother, whose soul was ever set on high thoughts,
and devoted to acts of virtue and self-sacrifice; whose fortitude and
affectionate courtesy seemed to her the crown and glory of manhood; how
different from the trifling flippancy of Fabian! “Name an eagle,” she
would say, “and we raise our eyes to heaven, there to behold a creature
fashioned in Nature’s bounty; but it is a degradation to waste one
thought on the insect of a day.” Some speech similar to this had been
kindly reported to the young count’s lady mother, who idolized her son
as the ornament and delight of his age and country. She severely
reprimanded the incautious Flora, who, for the first time, listened
proudly and unyieldingly. From this period her situation grew more
irksome; all she could do was to endeavour to withdraw herself entirely
Public-domain text, read in full here on John Shaqi.
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