Tales and Stories: Now First CollectedShelley, Mary Wollstonecraft
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Tales and Stories: Now First Collected
Shelley, Mary Wollstonecraft
English fiction -- 19th century; Short stories, English
Each proceeded on an opposite path. The old man wound up the hill, now
in view, and now losing sight of the hut where his child was captive: he
was aged, and the way was steep. Once, when the closing of the hill hid
the point towards which he for ever strained his eyes, a single shot was
fired in that direction: his staff fell from his hands, his knees
trembled and failed him; several minutes of dead silence elapsed before
he recovered himself sufficiently to proceed: full of fears he went on,
and at the next turn saw the cot again. A party of soldiers were on the
open space before it, drawn up in a line as if expecting an attack. In a
few moments from above them shots were fired, which they returned, and
the whole was enveloped and veiled in smoke. Still Andrea climbed the
hill, eager to discover what had become of his child: the firing
continued quick and hot. Now and then, in the pauses of musketry and the
answering echoes of the mountains, he heard a funeral chant; presently,
before he was aware, at a turning of the hill, he met a company of
priests and contadini, carrying a large cross and a bier. The miserable
father rushed forward with frantic impatience; the awe-struck peasants
set down their load—the face was uncovered, and the wretched man fell
helpless on the corpse of his murdered child.
The Countess Atanasia paused, overcome by the emotions inspired by the
history she related. A long pause ensued: at length one of the party
observed, “Maria, then, was the sacrifice to her goodness.”
“The French,” said the countess, “did not venerate her holy vocation;
one peasant girl to them was the same as another. The immolation of any
victim suited their purpose of awe-striking the peasantry. Scarcely,
however, had the shot entered her heart, and her blameless spirit been
received by the saints in Paradise, when Domenico and his followers
rushed down the hill to avenge her and themselves. The contest was
furious and bloody; twenty French soldiers fell, and not one of the
banditti escaped,—Domenico, the foremost of the assailants, being the
first to fall.”
I asked, “And where are now Anina and her father?”
“You may see them, if you will,” said the countess, “on your return to
Rome. She is a nun of Santa Chiara. Constant acts of benevolence and
piety have inspired her with calm and resignation. Her prayers are daily
put up for Domenico’s soul, and she hopes, through the intercession of
the Virgin, to rejoin him in the other world.
“Andrea is very old; he has outlived the memory of his sufferings; but
he derives comfort from the filial attentions of his surviving daughter.
But when I look at his cottage on this lake, and remember the happy
laughing face of Anina among the vines, I shudder at the recollection of
the passion that has made her cheeks pale, her thoughts for ever
conversant with death, her only wish to find repose in the grave.”
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Public-domain text, read in full here on John Shaqi.
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