day a tulip, night a lily; evening is, like morning, again a rose, and life seems a choral-hymn of beautiful and glowing sentiments, that I go singing to myself as I wander along this perpetual path of flowers.’” It was night ere they again reached the pavilion. It stood dark and deserted in the clear moonshine; the door was locked. After calling and knocking repeatedly without obtaining any answer, it became evident that Marietta had quitted the dwelling. In the first moment of surprise which this occurrence occasioned, they had not observed a written sheet of paper, of a large size, which lay unfolded and placed directly before the door, as if to attract attention. Idalie took it up and read the following lines, traced by Marietta:— “Oh, Idalie! but a few hours ago, how calm and secure we were in happiness—now danger and perhaps destruction is our portion. One chance yet remains; the moment you get this, persuade—not only persuade—but compel that adorable stranger to fly instantly from Naples. He is not safe here an instant longer. Do not doubt what I say, or his life may be the forfeit. How can I impress this on your mind? I would not willingly betray any one, but how else can I save him? Giorgio has been here. Oh! the frightful violence of that man. He raved like an insane person, and let fall such dark and bloody hints as opened worlds of horror to me. I am gone to discover what I can. I know his haunts, and his associates, and shall soon find out if there be any truth in what he threatens. I could not await your return, neither dare I leave the pavilion open. Who knows if, in the interval between my departure and your return, an assassin might not conceal himself within; and your first welcome be, to see the stranger fall lifeless at your feet. His every step is watched by spies armed for his destruction. I know not what to do—and yet it seems to me that my going may possibly avert the catastrophe.” “MARIETTA”