Tales and Stories: Now First CollectedShelley, Mary Wollstonecraft
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Tales and Stories: Now First Collected
Shelley, Mary Wollstonecraft
English fiction -- 19th century; Short stories, English
Ladislas listened to these lines unmoved; but the effect they produced
on Idalie was dreadful. She gave implicit credence to them, and every
word sounded as a knell. She lost all presence of mind; every reflection
that might have taught her to avert the stroke she so much dreaded, was
swallowed up in anguish, as if the deed that was to be consummated were
already done. What task can be more difficult than to describe the
overwhelming agony which heavy and unexpected misery produces. To have
lived the day that Idalie had just lived—a day in which all the beauty
of existence had been unveiled to its very depths; to have dreamt, as
she had done, a dream of love that steeped her soul in divine and almost
uncommunicable joy; and now to sink from this pinnacle of happiness into
a black and lampless cavern, the habitation of death, whose spectral
form and chilling spirit was felt through all the air! This is but a
feeble metaphor of the sudden transition from rapture to misery which
Idalie experienced. She looked upon Ladislas, and beheld him bright and
full of life; the roseate hues of health upon his cheek, his eyes
beaming with peaceful joy, his noble countenance varying not in the
least from that imperturbable self-possession which was its habitual
expression. And as her imagination made present to her the fatal moment,
when beneath the dagger of the assassin this adored being should sink
bleeding, wounded, and then be for ever lost in death, her blood rushed
to her heart, a deadly pause ensued, from which she awoke in a
bewildering mist of horror. Ladislas beheld her excess of emotion with
pain, in which, however, all was not pain, for it was blended with that
triumphant exultation that a lover ever feels when he for the first time
becomes assured that he is beloved by the object of his love with an
affection tender and intense as his own.
Public-domain text, read in full here on John Shaqi.
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