Tales and Stories: Now First CollectedShelley, Mary Wollstonecraft
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Tales and Stories: Now First Collected
Shelley, Mary Wollstonecraft
English fiction -- 19th century; Short stories, English
He then, at the call of the Marchese, related his adventures, while
scorn mantled on the features of his rival. The Marchese, looking at
both, could not free himself from doubt. He turned from one to the
other: in spite of the wild and disordered appearance of poor Ferdinand,
there was something in him that forbade his friend to condemn him as the
impostor; but then it was utterly impossible to pronounce such the
gallant and noble-looking youth, who could only be acknowledged as the
real Count by the disbelief of the other’s tale. The Marchese, calling
an attendant, sent for his fair daughter.
“This decision,” said he, “shall be made over to the subtle judgment of
a woman, and the keen penetration of one who loves.”
Both the youths now smiled—the same smile; the same expression—that of
anticipated triumph. The baron was more perplexed than ever.
Adalinda had heard of the arrival of Count Eboli, and entered,
resplendent in youth and happiness. She turned quickly towards him who
resembled most the person she expected to see; when a well-known voice
pronounced her name, and she gazed aghast on the double appearance of
the lover. Her father, taking her hand, briefly explained the mystery,
and bade her assure herself which was her affianced husband.
“Signorina,” said Ferdinand, “disdain me not because I appear before you
thus in disgrace and misery. Your love, your goodness will restore me to
prosperity and happiness.”
“I know not by what means,” said the wondering girl, “but surely you are
Count Eboli.”
“Adalinda,” said the rival youth, “waste not your words on a villain.
Lovely and deceived one, I trust, trembling I say it, that I can with
one word assure you that I am Eboli.”
“Adalinda,” said Ferdinand, “I placed the nuptial ring on your finger;
before God your vows were given to me.”
The false Count approached the lady, and, bending one knee, took from
his heart a locket, enclosing hair tied with a green riband, which she
recognised to have worn, and pointed to a slight scar on his left hand.
Adalinda blushed deeply, and, turning to her father, said, motioning
towards the kneeling youth,—
“He is Ferdinand.”
Public-domain text, read in full here on John Shaqi.
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