Tales and Stories: Now First Collected — John Shaqi
Tales and Stories: Now First CollectedShelley, Mary Wollstonecraft
General
Tales and Stories: Now First Collected
Shelley, Mary Wollstonecraft
English fiction -- 19th century; Short stories, English
Having rapidly detailed his history, he now sought to win the favourable
ear of Adalinda, who stood with averted and angry looks. He tried by the
varied shows of passion and tenderness to move her heart. Was he not, in
truth, the object of her love? Was it not he who scaled her balcony at
Villa Spina? He recalled scenes of mutual overflow of feeling to her
mind, thus urging arguments the most potent with a delicate woman. Pure
blushes tinged her cheek, but horror of the deceiver predominated over
every other sentiment. He swore that as soon as they should be united he
would free Ferdinand, and bestow competency, nay, if so she willed it,
half his possessions on him. She coldly replied, that she would rather
share the chains of the innocent, and misery, than link herself with
imposture and crime. She demanded her liberty; but the untamed and even
ferocious nature that had borne the deceiver through his career of crime
now broke forth, and he invoked fearful imprecations on his head if she
ever quitted the castle except as his wife. His look of conscious power
and unbridled wickedness terrified her; her flashing eyes spoke
abhorrence. It would have been far easier for her to have died than have
yielded the smallest point to a man who had made her feel for one moment
his irresistible power, arising from her being an unprotected woman,
wholly in his hands. She left him, feeling as if she had just escaped
from the impending sword of an assassin.
One hour’s deliberation suggested to her a method of escape from her
terrible situation. In a wardrobe at the castle lay, in their pristine
gloss, the habiliments of a page of her mother, who had died suddenly,
leaving these unworn relics of his station. Dressing herself in these,
she tied up her dark shining hair, and even, with a somewhat bitter
feeling, girded on the slight sword that appertained to the costume.
Then, through a private passage leading from her own apartment to the
chapel of the castle, she glided with noiseless steps, long after the
Ave Maria, sounded at four o’clock, had, on a November night, given
token that half an hour had passed since the setting of the sun. She
possessed the key of the chapel door—it opened at her touch; she closed
it behind her, and she was free. The pathless hills were around her, the
starry heavens above, and a cold wintry breeze murmured around the
castle walls; but fear of her enemy conquered every other fear, and she
tripped lightly on in a kind of ecstasy for many a long hour over the
stony mountain path—she, who had never before walked more than a mile or
two from home at any time in her life—till her feet were blistered, her
slight shoes cut through, her way utterly lost. At morning’s dawn she
found herself in the midst of the wild ilex-covered Apennines, and
neither habitation nor human being apparent.
Public-domain text, read in full here on John Shaqi.
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