Tales and Stories: Now First CollectedShelley, Mary Wollstonecraft
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Tales and Stories: Now First Collected
Shelley, Mary Wollstonecraft
English fiction -- 19th century; Short stories, English
Many a sad hour had Constance passed—many a day of tears, and many a
night of restless misery. She had closed her gates against every
visitant; and, like the Lady Olivia in “Twelfth Night,” vowed herself to
loneliness and weeping. Mistress of herself, she easily silenced the
entreaties and remonstrances of underlings, and nursed her grief as it
had been the thing she loved. Yet it was too keen, too bitter, too
burning, to be a favoured guest. In fact, Constance, young, ardent, and
vivacious, battled with it, struggled, and longed to cast it off; but
all that was joyful in itself, or fair in outward show, only served to
renew it; and she could best support the burden of her sorrow with
patience, when, yielding to it, it oppressed but did not torture her.
Constance had left the castle to wander in the neighbouring grounds.
Lofty and extensive as were the apartments of her abode, she felt pent
up within their walls, beneath their fretted roofs. The spreading
uplands and the antique wood, associated to her with every dear
recollection of her past life, enticed her to spend hours and days
beneath their leafy coverts. The motion and change eternally working, as
the wind stirred among the boughs, or the journeying sun rained its
beams through them, soothed and called her out of that dull sorrow which
clutched her heart with so unrelenting a pang beneath her castle roof.
There was one spot on the verge of the well-wooded park, one nook of
ground, whence she could discern the country extended beyond, yet which
was in itself thick set with tall umbrageous trees—a spot which she had
forsworn, yet whither unconsciously her steps for ever tended, and where
now again, for the twentieth time that day, she had unaware found
herself. She sat upon a grassy mound, and looked wistfully on the
flowers she had herself planted to adorn the verdurous recess—to her the
temple of memory and love. She held the letter from the king which was
the parent to her of so much despair. Dejection sat upon her features,
and her gentle heart asked fate why, so young, unprotected, and
forsaken, she should have to struggle with this new form of
wretchedness.
“I but ask,” she thought, “to live in my father’s halls—in the spot
familiar to my infancy—to water with my frequent tears the graves of
those I loved; and here in these woods, where such a mad dream of
happiness was mine, to celebrate for ever the obsequies of Hope!”
A rustling among the boughs now met her ear—her heart beat quick—all
again was still.
“Foolish girl!” she half muttered; “dupe of thine own passionate fancy:
because here we met; because seated here I have expected, and sounds
like these have announced, his dear approach; so now every coney as it
stirs, and every bird as it awakens silence, speaks of him. O
Gaspar!—mine once—never again will this beloved spot be made glad by
thee—never more!”
Public-domain text, read in full here on John Shaqi.
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