Tales and Stories: Now First Collected — John Shaqi
Tales and Stories: Now First CollectedShelley, Mary Wollstonecraft
General
Tales and Stories: Now First Collected
Shelley, Mary Wollstonecraft
English fiction -- 19th century; Short stories, English
The king arrived at the bishop’s palace, and proceeded forthwith to mass
in the cathedral. A sumptuous dinner succeeded, and it was afternoon
before the monarch proceeded through the town beside the Loire to where,
a little above Nantes, the Chateau Villeneuve was situated. The young
countess received him at the gate. Henry looked in vain for the cheek
blanched by misery, the aspect of downcast despair which he had been
taught to expect. Her cheek was flushed, her manner animated, her voice
scarce tremulous. “She loves him not,” thought Henry, “or already her
heart has consented.”
A collation was prepared for the monarch; and after some little
hesitation, arising even from the cheerfulness of her mien, he mentioned
the name of Gaspar. Constance blushed instead of turning pale, and
replied very quickly, “To-morrow, good my liege; I ask for a respite but
until to-morrow;—all will then be decided;—to-morrow I am vowed to
God—or”—
She looked confused, and the king, at once surprised and pleased, said,
“Then you hate not young De Vaudemont;—you forgive him for the inimical
blood that warms his veins.”
“We are taught that we should forgive, that we should love our enemies,”
the countess replied, with some trepidation.
“Now, by Saint Denis, that is a right welcome answer for the novice,”
said the king, laughing. “What ho! my faithful serving-man, Dan Apollo
in disguise! come forward, and thank your lady for her love.”
In such disguise as had concealed him from all, the cavalier had hung
behind, and viewed with infinite surprise the demeanour and calm
countenance of the lady. He could not hear her words: but was this even
she whom he had seen trembling and weeping the evening before?—this she
whose very heart was torn by conflicting passion?—who saw the pale
ghosts of parent and kinsman stand between her and the lover whom more
than her life she adored? It was a riddle hard to solve. The king’s call
was in unison with his impatience, and he sprang forward. He was at her
feet; while she, still passion-driven, overwrought by the very calmness
she had assumed, uttered one cry as she recognised him, and sank
senseless on the floor.
All this was very unintelligible. Even when her attendants had brought
her to life, another fit succeeded, and then passionate floods of tears;
while the monarch, waiting in the hall, eyeing the half-eaten collation,
and humming some romance in commemoration of woman’s waywardness, knew
not how to reply to Vaudemont’s look of bitter disappointment and
anxiety. At length the countess’ chief attendant came with an apology:
“Her lady was ill, very ill The next day she would throw herself at the
king’s feet, at once to solicit his excuse, and to disclose her
purpose.”
“To-morrow—again to-morrow!—Does to-morrow bear some charm, maiden?”
said the king. “Can you read us the riddle, pretty one? What strange
tale belongs to to-morrow, that all rests on its advent?”
Public-domain text, read in full here on John Shaqi.
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