Tales and Stories: Now First CollectedShelley, Mary Wollstonecraft
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Tales and Stories: Now First Collected
Shelley, Mary Wollstonecraft
English fiction -- 19th century; Short stories, English
“You speak lightly of such a combination,” said the lovely countess at
my side, “as if it must not in its nature be the cause of dreadful
tragedies. The mingling of love with crime is a dread conjunction, and
lawless pursuits are never followed without bringing on the criminal,
and all allied to him, ineffable misery. I speak with emotion, for your
observation reminds me of an unfortunate girl, now one of the Sisters of
Charity in the convent of Santa Chiara at Rome, whose unhappy passion
for a man, such as you mention, spread destruction and sorrow widely
around her.”
I entreated my lovely friend to relate the history of the nun. For a
long time she resisted my entreaties, as not willing to depress the
spirit of a party of pleasure by a tale of sorrow. But I urged her, and
she yielded. Her sweet Italian phraseology now rings in my ears, and her
beautiful countenance is before me. As she spoke, the sun set, and the
moon bent her silver horn in the ebbing tide of glory he had left. The
lake changed from purple to silver, and the trees, before so splendid,
now in dark masses, just reflected from their tops the mild moonlight.
The fire-flies flashed among the rocks; the bats circled round us:
meanwhile thus commenced the Countess Atanasia:—
The nun of whom I speak had a sister older than herself; I can remember
them when as children they brought eggs and fruit to my father’s villa.
Maria and Anina were constantly together. With their large straw hats to
shield them from the scorching sun, they were at work in their father’s
_podere_ all day, and in the evening, when Maria, who was the elder by
four years, went to the fountain for water, Anina ran at her side. Their
cot—the folding of the hill conceals it—is at the lake-side opposite;
and about a quarter of a mile up the hill is the rustic fountain of
which I speak. Maria was serious, gentle, and considerate; Anina was a
laughing, merry little creature, with the face of a cherub. When Maria
was fifteen, their mother fell ill, and was nursed at the convent of
Santa Chiara at Rome. Maria attended her, never leaving her bedside day
or night. The nuns thought her an angel, she deemed them saints: her
mother died, and they persuaded her to make one of them; her father
could not but acquiesce in her holy intention, and she became one of the
Sisters of Charity, the nun-nurses of Santa Chiara. Once or twice a year
she visited her home, gave sage and kind advice to Anina, and sometimes
wept to part from her; but her piety and her active employments for the
sick reconciled her to her fate. Anina was more sorry to lose her
sister’s society. The other girls of the village did not please her: she
was a good child, and worked hard for her father, and her sweetest
recompense was the report he made of her to Maria, and the fond praises
and caresses the latter bestowed on her when they met.
Public-domain text, read in full here on John Shaqi.
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