Very soon after this embarrassing explanation, Julia received a letter from her friend that was in no way distinguishable from the rest, except that it contained the real name of Regulus, which she declared to be Henry Frederick St. Albans. If Charles was at a loss to discover Julia's hidden love, Julia herself was equally uncertain how to know who this Mr. St. Albans was. After a vast deal of musing, she remembered that Anna was absent from school without leave one evening, and had returned alone with a young man who was unknown to the mistress. This incident was said, by some, to have completed her education rather within the usual time. Julia had herself thought her friend indiscreet, but on the whole, hardly treated--and they left the school together. This must have been St. Albans, and Anna stood fully exculpated in her eyes. The letter also announced the flattering fact, that Antonio had already left the country, ordering his servants and horses home, and that he had gone to New-York with the intention of hovering around Julia, in a mask, that she could not possibly remove, during the dangers of their expected journey. Anna acknowledged that she had betrayed Antonio's secret, but pleaded her duty to her friend in justification. She did not think that Julia would be able to penetrate his disguise, as he had declared his intentions so to conceal himself, by paint and artifice, as to be able to escape detection. Here was a new source of pleasure to our heroine: Antonio was already on the wing for the city, perhaps arrived--nay, might have seen her, might even now be within a short distance of the summer-house where she was sitting at the time, and watching her movements. As this idea suggested itself, Julia started, and unconsciously arranging her hair, by bringing forward a neglected curl, moved with trembling steps towards the dwelling. At each turn of the walk our heroine threw a timid eye around in quest of an unknown figure, and more than once fancied she saw the face of the god of music peering at her from the friendly covert of her aunt's shrubbery--and twice she mistook the light green of a neighbouring cornfield, waving in the wind, for the coat of Antonio. Julia had so long associated the idea of her hero with the image in her bosom, that she had given it perfect identity; but, on more mature reflection, she was convinced of her error: he would come disguised, Anna had told her, and had ordered his servants home; where that home was, Julia was left in ignorance--but she fervently hoped, not far removed from her beloved aunt. The idea of a separation from this affectionate relative, who had proved a mother to her in her infancy, gave great pain to her best feelings; and Julia again internally prayed that the residence of Antonio might not be far distant.-- What the disguise of her lover would be, Julia could not imagine--probably, that of a wandering harper: but then she remembered that there were no