Tales for Fifteen; Or, Imagination and HeartCooper, James Fenimore
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Tales for Fifteen; Or, Imagination and Heart
Cooper, James Fenimore
Girls -- Conduct of life -- Juvenile fiction; New York (N.Y.) -- Juvenile fiction
To this unexpected compliment young Morton could
do no more than bow in silence, for it was too
flattering for a reply--and too true to deny. As
Delafield turned his eye, at a little loss to know
whether to be pleased or not with his own humility,
he met a look from Charlotte that more than
rewarded him for the effort. It was a mild,
benevolent, pure glance, that spoke admiration and
heartfelt pleasure. He forgot his solo, and the
expected compliments; and, for the rest of the
evening, that thrilling expression floated in his
brain, and was present to his thoughts; it was
worth a thousand of the studied glances that were
continually aimed at him from all sides of the room,
and with every variety of eye--from the piercing
black, to the ogling gray. It was a look that came
directly from, and went to, the heart. If young
ladies always knew how nicely nature has qualified
the other sex to judge of their actions, what
multitudes of astonishingly expressive glances, and
artfully contrived gestures and movements, would
sink down into looks, that indicated feelings and
motives, that were adapted to the occasion! What
trouble in creating incidents that might draw out
charms would be avoided! And, in short, how much
extra labour, both of body and mind, would be
spared!
This agreeable contemplation of Mr. Delafield was
soon interrupted by the cheerful voice of Maria
Osgood, who cried--
"Bless me, George, you really do look ill."
"It is seldom that I have much health to boast of,"
replied the youth, in a feeble voice, and with a still
feebler smile.
"But," said Maria, without reflecting, "you look
worse than usual."
There was so much truth in this remark, that the
young man could only smile in silence, while
Seymour, surveying the very plain exterior of his
new acquaintance, turned his eyes with additional
satisfaction towards a mirror that reflected his own
form from head to feet.
"You will not attempt the flute to-night, George?"
said Charlotte.
"I believe I must, or not fulfil my engagement to
Mrs. Osgood."
"Surely," continued Charlotte, in a low tone to her
friend, "George had better not play, looking so ill as
he does."
"Certainly not; besides, his performance would not
shine after that of Mr. Delafield."
Seymour overheard this speech, which was really
intended only for the ear of Charlotte, and he was
instantly seized with an unaccountable desire to
hear the flute of Mr. Morton. Seymour was
conscious that he played well, and could he have
forgotten the indifference that Miss Henly exhibited
to his performance, would have been abundantly
flattered with the encomiums that were lavished on
his skill.
Public-domain text, read in full here on John Shaqi.
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