Tales for Fifteen; Or, Imagination and HeartCooper, James Fenimore
General
Tales for Fifteen; Or, Imagination and Heart
Cooper, James Fenimore
Girls -- Conduct of life -- Juvenile fiction; New York (N.Y.) -- Juvenile fiction
A request from the mistress of the mansion now
compelled George to make his appearance among
the musicians, and in a few minutes his flute was
heard alone. There was a vacancy in the looks of
Charlotte, during the scientific execution of the
different individuals who had been labouring at the
several instruments in the course of the evening,
that denoted a total indifference to the display.
But, the moment that George was called on to take
his part in the entertainment, this restlessness
disappeared, and was succeeded by an expression
of intense interest and deep anxiety. The melody of
George was simple and plaintive; he aimed at no
extraordinary exhibition of skill, and it was difficult
to compare his music with that of Seymour. The
latter, however, studied the countenance of the
young lady near him as the best index to their
comparative merit, and he was soon able to read
his own want of success. For the first few minutes,
anxiety was the principal expression portrayed in
her lovely face, but it was soon succeeded by a
deep and powerful emotion. There is something
contagious in the natural expression of our
passions, that insensibly enlists the sympathies of
the beholder--and Seymour felt a soft melancholy
stealing over him as he gazed, that was but a faint
reflection of the tenderness excited in the breast of
Charlotte, while she listened to sounds that
penetrated to her very soul. There is no mistaking
the effect of music that depends only on its
melody. Its appeal to the heart is direct end
unequivocal, and nothing but callous indifference
can resist its power. The most profound silence
pervaded the apartment, and George was enabled
to finish his piece with a spirit that increased with
the attention. As the last breathing notes died on
the ear, Delafield turned to meet those eyes which
had already secured an unconscious victory, and
saw them moistened with a lustre that added to
their natural softness. Beauty in tears is
proverbially irresistible--and the youth, bending
forward, said in a voice that was modulated to the
stillness of the room--
"Such melody, Miss Henly, captivates the senses."
"Does it not touch the heart?" asked the young
lady, with a little of unusual animation.
"The heart too. But Mr. Morton looks exhausted
after his labours."
All the pleasure which had shone in the
countenance of Charlotte, vanished instantly, and
gave place to deep concern.
"Oh! it is unjustifiable, thus to purchase pleasure at
the expense of another," said she, in a tone that
Seymour scarcely heard.
How tenderly would the man be loved, thought the
youth, who succeeded in engaging the affections of
this young creature! how disinterested is her
regard--and how considerate are her feelings! Here
will I trust my hopes for happiness in this life, and
here will I conquer, or here will I die!
Public-domain text, read in full here on John Shaqi.
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