The Countess gazed upon her lover as he knelt; and she, too, for a long
space, gazed without speaking; for with her, far less than even with Di
Vasari, was there that full indulgence of grief which soothes and
satisfies the heart: but her thoughts were those of doubt--and fancied
wrong--and wounded pride--and passion scorned or slighted. Fierce as had
been the paroxysms which that day had convulsed and shaken her; bodily
pain, and mental suffering; her pride still towered over all; her beauty
showed untainted! Scorning death in his triumph; hating his approach,
yet smiling on it; never more carefully than in that hour--her last of
life--had the Countess's toilet been adjusted. Her force of mind, and
feverish heat of purpose, rose even above the anodynes which gave her a
temporary release from personal suffering. Excited as she already was by
passion, almost to frenzy, the very narcotics which should have deadened
the brain's action, turned to stimulants, and served only to add new
fury to its purpose. Her cheek had lost its tint of freshness. Her eyes,
that glistened with tears repressed, had something of wildness in their
expression. And her lips had faded from their ruby hue. But, other than
this, her beauty was still uninjured; all her features were full and
animated; it was scarce possible to contemplate her as a being who in a
few hours should cease to move--to think--to have intent--existence.
At length the Countess spoke. Her hand lay passive in her lover's grasp.
But it was cold--damp--and nerveless--trembling;--it suffered, not
returned, his ardent pressure. "You would see me once more then,
Lorenzo?" she said; and her words were uttered with pain and difficulty.
For though her features remained unmoved, her eyes were blind with
tears; and the tone of her voice was more terrible in its hollow, wilful
steadiness, than if she had at once resigned the contest, and given way
to the storm of grief that overwhelmed her.--"You have left Arezzo, and
safety, and your new bride that shall be, to watch the last moments of
one who can now no more be worth your thinking of; but who, whatever may
be the faults she has to answer for, dies for one only, Lorenzo,--the
fault of having loved you!"
The Chevalier's cheek was paler even than that of the Countess. His
voice was drowned with sobs--he could not speak--the words choked him in
their utterance. He lifted his face from the velvet covering in which
it had lain buried--he clasped his hands together;--the hand of the
Countess fell from his grasp.--"And is there then," at last he said,
"oh God!--is there then, Angiolina, indeed no hope?"
Public-domain text, read in full here on John Shaqi.
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