New York (N.Y.) -- Fiction; Short stories; Theater -- Fiction
In the second act some one threw an apple at him. Mogley laboured
zealously. The ribald gallery had often been his foe. Wait until such
and such a scene! He would show them how a pupil of the old stock
companies could play burlesque! Song and dance men from the varieties
had too long enjoyed undisputed possession of that form of drama.
But, one by one, he passed his opportunities without capturing the
house. Nearer came the end of the piece. Slimmer grew his chance
of making the longed-for impression. The derision of the audience
increased. Now the gallery made comments upon his personal appearance.
“He could get between raindrops,” yelled one, applying a recent speech
of Edwin Stevens, the comic opera comedian.
And at home Mogley's wife was dying--holding to life by sheer power of
will, that she might rejoice with him over his triumph. Tears blinded
his eyes. Even the other members of the company were laughing at his
discomfiture.
Only a little brunette in pink tights who played Siebel, and whom he had
never met before, had a look of sympathy for him.
“It's a tough audience. Don't mind them,” she whispered.
Mogley has never seen or heard of the little brunette since. But he
anticipates eventually to behold her ranking first after Alice among the
angels of heaven.
The curtain fell and Mogley, somewhat dazed in mind, mechanically
removed his apparel, washed off his “make-up,” donned his worn street
attire and his haughty demeanour, and started for home.
Home! Behind him failure and derision. Before him, Alice, dying, waiting
impatiently his return, the news of his triumph.
“We won't need you to-morrow night, Mr. Mogley,” said the stage manager
as he reached the stage door. “Mr. Hexter told me to pay you for
to-night. Here's your money now.”
Mogley took the envelope as in a dream, answered not a word, and
hastened homeward. He thought only:
“To tell her the truth will kill her at once.”
Mrs. Mogley was awake and in a fever of anticipation when Mogley entered
the little room. She was sitting up in bed, staring at him with shining
eyes.
“Well, how was it?” she asked, quickly.
Mogley's face wore a look of jubilant joy.
“Success!” he cried. “Tremendous hit! The house roared! Called before
the curtain four times and had to make a speech!”
Mogley's ecstasy was admirably simulated. It was a fine bit of acting.
Never before or since did Mogley rise to such a height of dramatic
illusion.
“Ah, Tom, at last, at last! And, now, I must live till morning, to read
about it in the papers!”
Mogley's heart fell. If the papers would mention the performance at all,
they would dismiss it in three or four lines, bestowing perhaps a word
of ridicule upon him. She was sure to see one paper, the one that the
landlady's daughter lent her every day.
Mogley looked at the illuminated clock on the steeple across the way. A
quarter to twelve.
Public-domain text, read in full here on John Shaqi.
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