New York (N.Y.) -- Fiction; Short stories; Theater -- Fiction
Neither spoke as the two young men passed through the concert pavilion
and dancing hall out to a quieter part of the long pier. They sat near
the railing and looked out over the sea, on which, as evening fell, the
rippling band of moonlight grew more and more luminous. They could see,
at the right, the long line of brilliant lights on the boardwalk, and
the increasing army of promenaders. Detached from the furthest end of
the line of boardwalk lights, shone those of distant Longport. Above
these, the sky had turned from heliotrope to hues dark and indefinable,
but indescribably beautiful. Down on the beach were only a few people,
strolling near the tide line, a carriage, a man on horseback, and three
frolicking dogs.
“It's simply this,” abruptly began Haddon. “Six weeks ago I was married
to--”
“Why, I never heard of it. Let me congrat--”
“No, don't, I was married to a comic opera singer, named Lulu Ray.
I don't suppose you've ever heard of her, for she was only recently
promoted from the chorus to fill small parts. We took a flat, and lived
happily on the whole, for a month, although with such small quarrels
as might be expected. Two weeks ago she went out and didn't come back.
Since then I haven't been able to find her in New York or at any of the
resorts along the Jersey coast. I suppose she was offended at something
I said during a quarrel that grew out of my insisting on our staying
in New York all summer. Knowing her liking for Atlantic City--she was a
Philadelphia girl before she went on the stage--I came here at once to
hunt her up and apologize and agree to her terms.”
“Well?”
“Well, I haven't found her. She's not at any hotel in Atlantic City. I'm
going back to New York to-morrow to get some clue as to where she is.”
“I suppose you're very fond of her still?”
“Yes; that's the trouble. And then, of course, a man doesn't like to
have a woman who bears his name going around the country alone, her
whereabouts unknown.”
Morrow was on the point of saying: “Or perhaps with some other man,”
but he checked himself. He was sufficiently mundane to refrain from
attempting to reason Haddon out of his affection for the fugitive, or
to advise him as to what to do. He knew that in merely letting Haddon
unburden on him the cause of anxiety, he had done all that Haddon would
expect from any friend.
He limited himself, therefore, to reminding Haddon that all men have
their annoyances in this life; to treating the woman's offence as light
and commonplace, and to cheering him up by making him join in seeing the
sights of the boardwalk.
Public-domain text, read in full here on John Shaqi.
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