Shakespeare, William, 1564-1616 -- Adaptations; Shakespeare, William, 1564-1616 -- Stories, plots, etc. -- Juvenile literature
While he was in this irresolute mind there came to the court
certain players, in whom Hamlet formerly used to take delight,
and particularly to hear one of them speak a tragical speech,
describing the death of old Priam, King of Troy, with the grief
of Hecuba his queen. Hamlet welcomed his old friends, the
players, and remembering how that speech had formerly given him
pleasure, requested the player to repeat it; which he did in so
lively a manner, setting forth the cruel murder of the feeble old
king, with the destruction of his people and city by fire, and
the mad grief of the old queen, running barefoot up and down the
palace, with a poor clout upon that head where a crown had been,
and with nothing but a blanket upon her loins, snatched up in
haste, where she had worn a royal robe; that not only it drew
tears from all that stood by, who thought they saw the real
scene, so lively was it represented, but even the player himself
delivered it with a broken voice and real tears. This put Hamlet
upon thinking, if that player could so work himself up to passion
by a mere fictitious speech, to weep for one that he had never
seen, for Hecuba, that had been dead so many hundred years, how
dull was he, who having a real motive and cue for passion, a real
king and a dear father murdered, was yet so little moved that his
revenge all this while had seemed to have slept in dull and muddy
forgetfulness! and while he meditated on actors and acting, and
the powerful effects which a good play, represented to the life,
has upon the spectator, he remembered the instance of some
murderer, who, seeing a murder on the stage, was by the mere
force of the scene and resemblance of circumstances so affected
that on the spot he confessed the crime which he had committed.
And he determined that these players should play something like
the murder of his father before his uncle, and he would watch
narrowly what effect it might have upon him, and from his looks
he would be able to gather with more certainty if he were the
murderer or not. To this effect he ordered a play to be prepared,
to the representation of which he invited the king and queen.
The story of the play was of a murder done in Vienna upon a duke.
The duke’s name was Gonzago, his wife’s Baptista. The play showed
how one Lucianus, a near relation to the duke, poisoned him in
his garden for his estate, and how the murderer in a short time
after got the love of Gonzago’s wife.
Public-domain text, read in full here on John Shaqi.
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