Shakespeare, William, 1564-1616 -- Adaptations; Shakespeare, William, 1564-1616 -- Stories, plots, etc. -- Juvenile literature
At the representation of this play, the king, who did not know
the trap which was laid for him, was present, with his queen and
the whole court; Hamlet sitting attentively near him to observe
his looks. The play began with a conversation between Gonzago and
his wife, in which the lady made many protestations of love, and
of never marrying a second husband if she should outlive Gonzago,
wishing she might be accursed if she ever took a second husband,
and adding that no woman did so but those wicked women who kill
their first husbands. Hamlet observed the king his uncle change
color at this expression, and that it was as bad as wormwood both
to him and to the queen. But when Lucianus, according to the
story, came to poison Gonzago sleeping in the garden, the strong
resemblance which it bore to his own wicked act upon the late
king, his brother, whom he had poisoned in his garden, so struck
upon the conscience of this usurper that he was unable to sit out
the rest of the play, but on a sudden calling for lights to his
chamber, and affecting or partly feeling a sudden sickness, he
abruptly left the theater. The king being departed, the play was
given over. Now Hamlet had seen enough to be satisfied that the
words of the ghost were true and no illusion; and in a fit of
gaiety, like that which comes over a man who suddenly has some
great doubt or scruple resolved, he swore to Horatio that he
would take the ghost’s word for a thousand pounds. But before he
could make up his resolution as to what measures of revenge he
should take, now he was certainly informed that his uncle was his
father’s murderer, he was sent for by the queen his mother, to a
private conference in her closet.
It was by desire of the king that the queen sent for Hamlet,
that she might signify to her son how much his late behavior
had displeased them both, and the king, wishing to know all that
passed at that conference, and thinking that the too partial
report of a mother might let slip some part of Hamlet’s words,
which it might much import the king to know, Polonius, the old
counselor of state, was ordered to plant himself behind the
hangings in the queen’s closet, where he might, unseen, hear all
that passed. This artifice was particularly adapted to the
disposition of Polonius, who was a man grown old in crooked
maxims and policies of state, and delighted to get at the
knowledge of matters in an indirect and cunning way.
Hamlet being come to his mother, she began to tax him in the
roundest way with his actions and behavior, and she told him that
he had given great offense to HIS FATHER, meaning the king, his
uncle, whom, because he had married her, she called Hamlet’s
father. Hamlet, sorely indignant that she should give so dear and
honored a name as father seemed to him to a wretch who was
indeed no better than the murderer of his true father, with some
sharpness replied:
“Mother, YOU have much offended MY FATHER.”
The queen said that was but an idle answer.
Public-domain text, read in full here on John Shaqi.
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