Shakespeare, William, 1564-1616 -- Adaptations; Shakespeare, William, 1564-1616 -- Stories, plots, etc. -- Juvenile literature
At length the king said: “Oh, thus she stood, even with such
majesty, when I first wooed her. But yet, Paulina, Hermione was
not so aged as this statue looks.”
Paulina replied: “So much the more the carver’s excellence, who
has made the statue as Hermione would have looked had she been
living now. But let me draw the curtain, sire, lest presently you
think it moves.”
The king then said: “Do not draw the curtain. Would I were dead!
See, Carmillo, would you not think it breathed? Her eye seems to
have motion in it.”
“I must draw the curtain, my liege,” said Paulina. “You are so
transported, you will persuade yourself the statue lives.”
“Oh, sweet Pauline,” said Leontes, “make me think so twenty years
together! Still methinks there is an air comes from her. What
fine chisel could ever yet cut breath? Let no man mock me, for I
will kiss her.”
“Good my lord, forbear!” said Paulina. “The ruddiness upon her
lip is wet; you will stain your own with oily painting. Shall I
draw the curtain?”
“No, not these twenty years,” said Leontes.
Perdita, who all this time bad been kneeling and beholding in
silent admiration the statue of her matchless mother, said now,
“And so long could I stay here, looking upon my dear mother.”
“Either forbear this transport,” said Paulina to Leontes, “and
let me draw the curtain or prepare yourself for more amazement. I
can make the statue move indeed; aye, and descend from off the
pedestal and take you by the hand. But then you will think, which
I protest I am not, that I am assisted by some wicked powers.”
“What you can make her do,” said the astonished king, “I am
content to look upon. What you can make her speak I am content to
hear; for it is as easy to make her speak as move.”
Paulina then ordered some slow and solemn music, which she had
prepared for the purpose, to strike up; and, to the amazement of
all the beholders, the statue came down from off the pedestal and
threw its arms around Leontes’s neck. The statue then began to
speak, praying for blessings on her husband and on her child, the
newly found Perdita.
No wonder that the statue hung upon Leontes’s neck and blessed
her husband and her child. No wonder; for the statue was indeed
Hermione herself, the real, the living queen.
Paulina had falsely reported to the king the death of Hermione’
thinking that the only means to preserve her royal mistress’s
life; and with the good Paulina Hermione had lived ever since,
never choosing Leontes should know she was living till she heard
Perdita was found; for though she had long forgiven the injuries
which Leontes had done to herself, she could not pardon his
cruelty to his infant daughter.
His dead queen thus restored to life, his lost daughter found,
the long-sorrowing Leontes could scarcely support the excess of
his own happiness.
Public-domain text, read in full here on John Shaqi.
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