One day, while the king is asleep, Mrigankavali puts a necklace on the
neck of the king, being induced by a maid-servant who had instructions
to do so by the minister. The king takes this as a wonderful dream. The
vision of a beautiful maid agitates his mind. The king thus relates to
Bidushaka the story of his fancied vision, "for the burden of the heart
is lightened by sharing it with a faithful friend."
"A glorious halo appeared before me in my dream, bright as the moon's
resplendent disk; within the orb a beauteous maiden moved as gently
radiant as the lunar rays in autumn skies.
Advancing near me, she inclined her head in reverence, and, as if
pouring ambrosia into my ears, pronounced in softest tones,
'Glory to the deity of love!' Then sighing, she took up this string of
costly pearls and placed it on my neck. This awoke me, I started up and
saw my vision realised. I caught the nymph by her scarf, but she hastily
extricated herself from my hands and fled, leaving me this necklace
alone the evidence of her presence." Bidushaka asks his Majesty, "Was
not the queen with you when you dreamt? What did she do?"
The king replies, "The queen got angry and left me." Bidushaka remarks,
"Why could not you assuage her anger?"
The king answers, "I was absorbed in the maid of my vision."
The Vidushaka, however, treats the whole as a dream, and reproaches the
king for his fickleness, as he had just before fallen in love with
Kuvalayamala, the princess of Kuntala, and recommends him to be content
with the queen, as "a partridge in the hand is better than a pea-hen in
the forest."
The prince and the Vidushaka then go into the garden by the back-door,
where, over the edge of a terrace, they see some of the fair tenants of
the inner apartments amusing themselves with swinging. Amongst them the
king recognises the countenance he has seen in his dream, but the party
disappear on the advance of the king and his friend.
The king then enters a pleasure-house or pavilion called the
_kelikailas_ or mountain of sport built for him by the minister.
It is a beautiful palace built of crystal, and decorated with statues
and paintings. One of the paintings is thus described:
"There is your Majesty at _pasa_ (dice) with the queen: behind you
stands one damsel with the betel box, whilst another is waving the
_chownri_ over your head: the dwarf is playing with the monkey, and the
parrot abusing the Vidushaka." The chamber also contains the portrait of
Mrigankavali, the damsel whom the prince has really seen in his supposed
dream. There is also a statue of her, whence the drama is named _Viddha
Salabhanjika_, meaning a curved statue or effigy.
The king discovers the statue. He thinks, "Who will carve on the wall
the person I dreamed of? No one was present when I dreamt. Has anyone
carved the statue out of his fancy? A real person may exist in this
world or how can an exact figure come here?"
Public-domain text, read in full here on John Shaqi.
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