Tales From the "Phantasus," etc. of Ludwig Tieck — John Shaqi
Tales From the "Phantasus," etc. of Ludwig TieckTieck, Ludwig
Science
Tales From the "Phantasus," etc. of Ludwig Tieck
Tieck, Ludwig
German fiction -- Translations into English
More or less, there is always something awful in a purely ethical
writer. Tieck's works do not profess to be religious writings. He is
concerned wholly with the nature of man as he finds him, and with the
working of the moral laws, the natural tendencies of virtue and vice
in the system of the universe; and in this way he contrasts strikingly
with writers like Fouqué, whose works have so much of a distinct
religious character. The wild preternatural spirit which breathes
through all his tales forms but a subservient part. It does but
represent the elements in which our moral nature hangs; and is, in
fact, nothing more than the very element in which we all live, only
held in a certain light that we may see it. Why he does not introduce
the real influences of the other world as revelation makes them known
to us, is a question which we need not ask ourselves; it is enough
that it was not his purpose.
But perhaps we shall find the clue to the general tone of his mind in
the state of things in Germany, and the general condition of European
feeling at the time in which he was brought up.
His mind broke into consciousness at the stormy close of the
eighteenth century, when Europe was rocking to her foundation, and all
faith in God was dead. The seven thousand who would not bow the knees
to the Deity of man were hanging off in fear and trembling, and
watching for the doom of the world. In France, old Voltaire worshipped
as a god. In Germany, the students at the universities caricaturing
the sacrifice of the mass at the doors of the beerhouses, and one
riding through the streets of Göttingen upon an ass, to try, as he
said, what must have been the feelings of the Saviour (Goethe,
_Wahrheit und Dichtung_). It was a time of which Jean Paul said, "Now
strikes the twelfth hour of the night; and the foul birds of night are
screaming, and spectres dance; the dead walk abroad, the living
dream."
Tieck was born in the Roman Catholic Church; but he was brought up
without any religious teaching; and the Church herself in those dark
hours possessed but few or none of those outward marks of holiness
which could make him feel safe in trusting himself implicitly to her
guidance: the poison of infidelity was in her very heart; disgraced by
the grossest idolatry, her enemies battering furiously at her from
without, and she apparently helpless to resist them. It is not so now:
she too has felt the warm breath of spring that has since swept over
the face of the earth, and is waking her up to new life and energy;
yet, if even now such scenes as those of last summer at Treves can
shock the senses of the cultivated world, what must it have been then?
She was like a cracked bell that would not ring when it was struck.
Public-domain text, read in full here on John Shaqi.
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